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Here, I'll practice on you. Mom. I have something to tell you. I'm undead. Now, I know you may have some preconceived notions about the undead. I know you may not be comfortable with the idea of me being undead. But I'm here to tell you that the undead are just like you and me. Well, okay. Possibly more like me than you.
I've been a freelancer since 1979. There’s something good about it, because I can pick what I want to do, within limits, assuming I can turn in enough good stories and my ideas are good enough. I’m not at the mercy of an editor. When I did it, you could do long-form reporting as a freelancer. Once I began to get connected with The New Yorker, everybody assumed I was working for it, but I was always on contract. I wanted to be. I could have changed it, but then I would have had the editors have control over me, so I didn’t want that. On the other hand, they still had control over me, because I would do an assignment. They were the editor and they paid the bills. I don’t know if I was being silly or not, but whatever happened, it turned out that it was all fine. Serendipity, I guess.
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