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" "I urge my students que se aprovechen el momento of their college years; to look beyond conventional career-oriented concerns toward something deeper, toward the discomfort and wonder of real conciencia, which comes, as the educator Paulo Freire understood, through a self-determined, self-defined education. I never let my students forget that their elite education wants them to do otherwise, to look away from the pueblo-self as the source of knowing. Through the practice of creative writing, I have found students uncovering glimpses of knowledges heretofore obscured and untouched.
Cherríe Moraga (September 25, 1952) is a Chicana writer, feminist activist, poet, essayist, and playwright.
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One of the deepest wounds Chicanos suffer is separation from our Southern relatives. Gloria Anzaldúa calls it a "1,950-mile-long open wound," dividing México from the United States, "dividing a pueblo, a culture." This "llaga" ruptures over and over again in our writing, Chicanos in search of a México that never wholly embraces us. "Mexico gags," poet Lorna Dee Cervantes writes, "on this bland pocha seed." This separation was never our choice.
Time and time again, I have observed that the usual response among white women's groups when the "racism issue" comes up is to deny the difference. I have heard comments like, "Well, we're open to all women; why don't they (women of color) come? You can only do so much..." But there is seldom any analysis of how the very nature and structure of the group itself may be founded on racist or classist assumptions. More important, so often the women seem to feel no loss, no lack, no absence when women of color are not involved; therefore, there is little desire to change the situation. This has hurt me deeply. I have come to believe that the only reason women of a privileged class will dare to look at how it is that they oppress, is when they've come to know the meaning of their own oppression. And understand that the oppression of others hurts them personally.
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Sometimes in the face of my own/our own limitations, in the face of such world-wide suffering, I doubt even the significance of books. Surely this is the same predicament so many people who have tried to use words as weapons have found themselves in-Cara a cara con el enemigo, qué valen mis palabras? This is especially true for Third World women writers, who know full well our writings seldom directly reach the people we grew up with. Sometimes knowing this makes you feel like you're dumping your words into a very deep and very dark hole. But we continue to write-to the literate of our people and the people they touch. We even write to those classes of people for whom books have been as common to their lives as bread. For finally, we write to anyone who will listen with their ears open (even if only a crack) to the currents of change around them. The political writer, then, is the ultimate optimist, believing people are capable of change and using words as one way to try and penetrate the privatism of our lives. A privatism which keeps us back and away from each other, which renders us politically useless.