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" "For ordinary books are like meteors; each has its moment, that instant when it flies shrieking into the air, like a phoenix, all of its pages ablaze. For that moment, that single instant, we love them; although they are mere ashes by then. Sometimes, late at night, we wander in bitter resignation through their congealed pages, whilst they go on insisting, with their wooden clattering, like a rosary, on their dead formulæ.
Bruno Schulz (July 12, 1892 – November 19, 1942) was a Polish writer and artist, considered by some to be the greatest prose stylist of the modern Polish language.
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But even further from the light were the cats. Their perfection was alarming. Wrapped up in the precision and meticulousness of their bodies, they knew neither deviation nor error. They sank for a moment, far into themselves, to the bottom of their being; they froze in their soft fur and grew menacingly and ceremoniously serious, and their eyes grew as round as moons, soaking up the view into their fiery craters. But a moment later, cast out to the edge, to the surface, they yawned in their nihility, disappointed and without illusions.
“Were I to cast aside respect before the Creator and seek to make a jest in criticism of creation, then I should demand, ‘Less content and more form!’ Oh, how that loss of content would unburden the world! More modesty in purposes, more restraint in claims, gentlemen demiurges, and the world would be more exquisite!” cried my father as his hands were laying bare Paulina’s white calf from the fetters of her stocking.
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Mother held no influence over [my father]; though he bestowed much reverence and attention upon Adela. When she swept his chamber, it was to him a great and momentous ceremony, one that he never omitted to witness, following Adela’s every movement with a mixture of fear and a shudder of delight. He ascribed to her every action some deeper, symbolic meaning, and when the girl pushed a long-handled brush across the floor, with youthful and bold thrusts, it was almost beyond his endurance.