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" "Art and literature are about a magical appeal to identity and empathy. How an identity in literature is transferred into your own identity so that you care for a fictional stranger so that you get into his skin and wear his gaze. This is what is so powerful. It is an antidote to the armoury we are requested to put on. This shield of ignorance and indifference and apathy. Because if you really sense everything, if you don’t wear this shield, it is painful.
Dorit Rabinyan (Hebrew: דורית רביניאן; born September 25, 1972) is an Israeli writer and screenwriter.
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The differences between me and an author like Etgar Keret, who has parents who survived the Holocaust, are obvious-but so are the similarities. In a way, we are both telling the stories of those who were silenced by Israeli hegemony. There was a conformity that said, 'Let bygones be bygones! We will create a new country! We want the children here to be proud and magnificent!' But this is not a fair game. And there is a great opportunity for literature here, to give voice to those silenced voices.
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That spring evening, which was marked by the harsh sting of chopped red peppers, all over the housing estate, in all the flats around all the supper tables, the residents talked about Matti Azizyan. Her actions dwarfed the fathers and mothers and big brothers, made their voices crack with shock, and reduced their world to the dimensions of the backyard. (p135)