In the rest of my lecture I would like to use the word "ambiguous" in accordance with the distinction made by the eminent British poet Kathleen Raine… - Kenzaburō Ōe

He said he didn’t care if he went to heaven or hell, because neither could be more fearful than absolute nothingness; salvation and damnation were one and the same if the only thing out there was total nothingness.

My mentally handicapped son Hikari was awakened by the voices of birds to the music of Bach and Mozart, eventually composing his own works. The little pieces that he first composed were full of fresh splendour and delight. They seemed like dew glittering on grass leaves. The word innocence is composed of in — "not" and nicer — "hurt", that is, "not to hurt". Hikari's music was in this sense a natural effusion of the composer's own innocence.

Fundamentally a good author has his or her own sense of style. There is a natural, deep voice, and that voice is present from the first draft of a manuscript. When he or she elaborates on the initial manuscript, it continues to strengthen and simplify that natural, deep voice.