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Now, I'm going through a similar period of struggle and despondency, of patience and impatience, of hope and desolation. But I must plod on and anywa… - Vincent van Gogh
" "Now, I'm going through a similar period of struggle and despondency, of patience and impatience, of hope and desolation. But I must plod on and anyway, after a while I'll understand more about making watercolours.
If it were that easy, one wouldn't take any pleasure in it. And it's exactly the same with painting.
English
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About Vincent van Gogh
Vincent Willem van Gogh (30 March 1853 – 29 July 1890) was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. They include landscapes, still lifes, portraits, and self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. Not commercially successful, he struggled with severe depression and poverty, eventually leading to his suicide at age thirty-seven.
Biography information from Wikiquote
Also Known As
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Vincent Willem van Gogh
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van Gogh
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Vincent Van Gogh
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Van Gogh
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Additional quotes by Vincent van Gogh
..How I paint I do not know myself. I sit down with a white board before the spot that strikes me, I look at what is before me, I say to myself that white board must become something, I come back dissatisfied - I put it away, and when I have rested a little I go to look at it with a kind of fear. Then I am still dissatisfied, because I have still too closely in my mind that splendid nature..
Speaking of Rousseau, do you know Richard Wallace's [owner of a] Rousseau? ['The forest of Fontainebleau': Morning, a landscape, with cattle drinking, c. 1850] An edge of a wood in the autumn after rain, with a vista of meadows stretching away endlessly, marshy, with cows in them, the foreground rich in tone. To me that's one of the finest — is very like the one with the red sun in the Luxembourg ['The edge of the forest of Fontainebleau, at sunset', c. 1849]. The dramatic effect of these paintings is something that helps us to understand 'a corner of nature seen through a temperament' [
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If there is anything I regret then it is that period when I allowed mystical and theological profundities to mislead me into withdrawing too much into myself.
…..When you wake up in the morning and find you are not alone but can see a fellow creature there in the half-light, it makes the world look so much more welcoming. Much ,more welcoming than the devotional journals and whitewashed church walls beloved of clergymen.
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