Myself at the age of six, when I believed I was a little girl, raising with a very great care the skin of the sea in order to observe a dog sleeping … - Salvador Dalí

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Myself at the age of six, when I believed I was a little girl, raising with a very great care the skin of the sea in order to observe a dog sleeping in the shadow of the water.

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About Salvador Dalí

Salvador Dalí (11 May 1904 – 23 January 1989) was a Spanish surrealist artist, born in Catalonia, Spain. He was a skilled draftsman, best known for the striking and bizarre images in his surrealist work and his exceptional way of life and expression.

Biography information from Wikiquote

Also Known As

Native Name: Salvador Dalí i Domènech
Alternative Names: Dalí Felip Jacint Domenech Felip Jacint Domènech Salvador Dali Salvador Dali Domenech Salvador Dali i Domenech Salvador Dali y Domenech Salvador Dalm y Domenech Salvador Dalí Domènech Salvador Dalí y Domènech Salvador Domingo Felipe Jacinto Dali y Domenech Salvador Domingo Felipe Jacinto Dalí y Domènech Salvador Felip Jacint Dali Domenech Salvador Felip Jacint Dalí Domènech Salvador Felipe Jacinto Dali Salvador Felipe Jacinto Dali Domenech Salvador Felipe Jacinto Dali y Domenech Salvador Felipe Jacinto Dalí Salvador Felipe Jacinto Dalí Domènech Salvador Felipe Jacinto Dalí y Domènech Salvator Dali Salvator Dalí
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Additional quotes by Salvador Dalí

It is a question of the systematic and interpretive organization of the sensational, scattered and narcissist surrealist experimental material, - that is to say, of everyday surrealist events:,br>nocturnal pollution, false recollection, dream, diurnal fantasy, the concrete transformation of nocturnal phosphene into a hypnagogic image or of "waking phosphene" into an objective image, - the nutritive caprice, - inter-uterine claims, - anamorphic hysteria, - the voluntary retention of the urine, - the involuntary retention of insomnia - the fortuitous image of exclusively exhibitionist tendency, -the incomplete action, - the frantic manner, - the regional sneeze, the anal wheelbarrow, the minimal mistake, the liliputian malaise, the super-normal physiological state, - the picture one leaves off painting, that which one paints, the territorial ringing of the telephone, "the deranging image", etc., etc.,
all these things, I say, and a thousand other instantaneous or successive sollicitations, revealing a minimum of irrational intentionalety or, on the contrary, a minimum of suspect phenomenal nullity, are associated, by the mechanisms of paranoiac-critical activity, in an indestructible delirious-interpretive system of political problems, paralytic images, more or less mammiferous questions, playing the role of the obsessing idea.

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