We owe to the Middle Ages the two worst inventions of humanity - romantic love and gunpowder. - André Maurois

Marriage is not something that can be accomplished all at once; it has to be constantly reaccomplished. A couple must never indulge in idle tranquility with the remark: "The game is won; let's relax." The game is never won. The chances of life are such that anything is possible. Remember what the dangers are for both sexes in middle age. A successful marriage is an edifice that must be rebuilt every day.

A marriage without conflicts is almost as inconceivable as a nation without crises.

In the case of a novel, or any imaginative work, especially if the tone is poetic, my own preference is for ending with a touch of symbolism which shall leave the reader brooding. A fine novel, a well-written story, "proves" nothing. Certain characters have played their parts, life goes on, and the final passage may be allowed to remain with one foot in the air, as is the case with some of Chopin's conclusions. But there is no absolute rule in such matters, and there are epic novelists who like to end on a powerful crescendo, as Ravel does in Bolero, or Dvorak in the New-World Symphony. Composition has features which are common to all the arts, and the author can learn as much about his business in the concert hall as in the library.