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" "…era alquanto facilitato nel sentire l’umana nullità rispetto al vertiginoso infinito della volta celeste, si muoveva libero nello spazio immenso e imperscrutabile come se quello fosse il suo vero mondo, in questo, prigioniero della sua libertà, non riusciva a trovare posto, soffocato dall’incommensurabile ristrettezza di tale “desolante aridità”…
László Krasznahorkai (; born 5 January 1954) is a Hungarian novelist and screenwriter known for difficult and demanding novels, often labeled postmodern, with dystopian and melancholic themes. Several of his works, including his novels Satantango (, 1985) and The Melancholy of Resistance (, 1989), have been turned into feature films by Hungarian film director Béla Tarr.
Biography information from Wikipedia
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Tam o anda tüm olan biteni neyin harekete geçirdiğini kavradı, varoluşun itici gücünün mecburiter olduğunu, itici gücün motivasyonu doğurduğunu, motivasyonun ise belirlenmiş ilişkiler içinde saldırgan bir katılımı sağladığını, varlığımızın bulunduğu bu katılım noktasından, araştırmacı reflekslerinin önceden belirlenmiş dizisini kullanarak kendisi için faydalı olanı bulmaya çabaladığı noktada, varlığın tümlüğünün aslında bu arzulanan ilişkinin gerçekte var olup olmamasına bağlı olduğunu, tüm bunların sabrın yeterliliğine, mücadelenin incelikli noktalarına ve tesadüflerine göre şekillendiği ve başarılı hareketin, benliksiz varlığın, tam deneme yanılma niteliği taşıdığını kavradı.
"Everything's in ruins, everything's been degraded, but I could say that they've ruined and degraded everything, because this is not some kind of cataclysm coming about with so-called "innocent" human aid, on the contrary, it's about man's own judgment over his own self, which of course god has a big hand in, or, dare I say, takes part in, and whatever he takes part in is the most ghastly creation that you can imagine, because, you see, the world has been debased, so it doesn't matter what I say because everything has been debased that they've acquired and since they've acquired everything in a sneaky, underhanded fight, they've debased everything, because whatever they touch, and they touch everything, they've debased; this is the way it was until the final victory, until the triumphant end; acquire, debase, debase, acquire; or I can put it differently if you'd like, to touch, debase and thereby acquire, or touch, acquire and thereby debase; it's been going on like this for centuries, on, on and on; this and only this, sometimes on the sly, sometimes rudely, sometimes gently, sometimes brutally, but it has been going on and on; yet only in one way; like a rat attacks from ambush; because for this perfect victory it was also essential that the other side, that is, everything's that's excellent, great in some way and noble, should not engage in any kind of fight, there shouldn't be any kind of struggle, just the sudden disappearance of one side meaning the disappearing of the excellent, the great, the noble, so that by now the winners who have won by attacking from ambush rule the earth and there isn't a single tiny nook where one can hide something from them because everything they can lay their hands on is theirs, even things that they can't reach but they do reach are also theirs; the heavens are already theirs and theirs are all our dreams; theirs is the moment, nature, infinite silence; even immortality is theirs, you understand?; everything, everything is lost
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