In Kashmir the only thing to do with nightmares was to embrace them like old friends and manage them like old enemies. (p358) - Arundhati Roy

Speaking for myself, I am no flag waver, no patriot, and I am fully aware that venality, brutality, and hypocrisy are imprinted on the leaden soul of every state. But when a country ceases to be merely a country and becomes an empire, then the scale of operations changes dramatically. So may I clarify that tonight I speak as a subject of the American empire? I speak as a slave who presumes to criticize her king.

Had he known that he was about to enter a tunnel whose only egress was his own annihilation, would he have turned away?

"I'm trained as an architect; writing is like architecture. In buildings, there are design motifs that occur again and again, that repeat — patterns, curves. These motifs help us feel comfortable in a physical space. And the same works in writing, I've found. For me, the way words, punctuation and paragraphs fall on the page is important as well — the graphic design of the language. That was why the words and thoughts of Estha and Rahel, the twins, were so playful on the page ... I was being creative with their design. Words were broken apart, and then sometimes fused together. "Later" became "Lay. Ter." "An owl" became "A Nowl." "Sour metal smell" became "sourmetal smell."

Repetition I love, and used because it made me feel safe. Repeated words and phrases have a rocking feeling, like a lullaby. They help take away the shock of the plot — death, lives destroyed or the horror of the settings — a crazy, chaotic, emotional house, the sinister movie theater."