At the moment I quite often go to draw with Breitner [in the streets of The Hague], a young painter who's acquainted with Rochussen as I am with Mauv… - Vincent van Gogh

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Engraved portrait of Vincent van Gogh, facing left

At the moment I quite often go to draw with Breitner [in the streets of The Hague], a young painter who's acquainted with Rochussen as I am with Mauve. He draws very skilfully and very differently from me, and we often draw types together in the soup kitchen or the waiting room &c. He sometimes comes to my studio to look at woodcuts, and I go to see the ones he has as well.

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About Vincent van Gogh

Vincent Willem van Gogh (30 March 1853 – 29 July 1890) was a Dutch Post-Impressionist painter who posthumously became one of the most famous and influential figures in Western art history. In a decade, he created about 2,100 artworks, including around 860 oil paintings, most of which date from the last two years of his life. They include landscapes, still lifes, portraits, and self-portraits, and are characterised by bold colours and dramatic, impulsive and expressive brushwork that contributed to the foundations of modern art. Not commercially successful, he struggled with severe depression and poverty, eventually leading to his suicide at age thirty-seven.

Biography information from Wikiquote · Portrait adapted from Wikimedia Commons, Vincent van Gogh (CC BY-SA)

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Alternative Names: Vincent Willem van Gogh van Gogh Vincent Van Gogh Van Gogh

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Additional quotes by Vincent van Gogh

Dans chaque vie où de la pluie doit tomber, quelques jours seront sombres et lugubres – c'est vrai, il ne peut en aller autrement, et pourtant je me demande si le nombre de jours sombres et lugubres peut parfois devenir trop grand ? La lutte intérieure de Van Gogh: Sa vie, son œuvre et sa maladie mentale - Liesbeth Heenk

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How I wish we could spend a couple of Christmas days together, for instance — I would also dearly like to have you in my studio once more.

I, too, have been toiling quite hard recently, precisely because I was full of the Christmas feeling, and feeling isn’t enough, one must bring it into one’s work.

So I’m now occupied with two large heads of an orphan man, with his white beard and old-fashioned, old top hat.

This chap has the sort of old, lively face that one would wish for beside a cosy Christmas fire.

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