[Godzilla kenpo] is a combination of karate and the kinds of moves I make while playing Godzilla. I developed it to help me from becoming too worn out while playing Godzilla.

Be Godzilla. Don't do anything else. Write books about playing Godzilla, talk to reporters about playing Godzilla, but don't do anything else. Just be Godzilla.

I'm trying to write a book based on myself, but i keep changing.

I wonder if he's planning a book called SRS? Or F'lu?

I’m working on another Lyra book right now – it’s called The Book of Dust.

“It’s going very well and it will be finished when I write the words ‘The End’.

I dreamed of becoming a writer. And . . . this dream is about to become a reality with the publication of my first, and hopefully not my last, children's book . . .

Ooh, look at me, I’m Dave, I’m writing a book! With all my thoughts in it. La la la!

The intention of not only the screenwriter, but also the entire production staff, was to focus on how people would react if a creature such as Godzilla really did appear. What would the politicians do? How about the scientists? How would the military handle the situation? Given this, it was inevitable that the film would seem at least somewhat like a documentary.

"A thrilla, by Godzilla!*" (Hideki Matsui)

If it’s not already written, I want to write a book called, “The Art of Raw.” But instead of using my real name, I’ll use the pseudonym, “Sun Tzushi.

I'm writing a book. I've got the page numbers done.

Right now I’m working on a book set in the thirty years on either side of 2010, but I shouldn’t give too many details or the next thing you know it’s on Wikipedia and if I change my mind and decide to recast King Lear in a pond of frogs and toads I’ll just give a hardworking Wikipedian an extra headache.

I'm in the midst of preparing my next movie, Enter the Dragon a coproduction between Concord and Warner Bros., plus another Concord production, The Game of Death, which is only halfway done

My book is different.
In case you hadn't noticed, the story I'm telling is a little different. It's a little shy on the Aristotelian unities. It doesn't follow the classic Hollywood three-act structure. It's not like a five-act Shakespearean play. It's not like a Harlequin romance.
So what *is* the structure then? Fuck if I know. That's part of what's taking me so long to figure out. As far as I can tell, my story is part autobiography, part hero's journey, part epic fantasy, part travelogue, part faerie tale, part coming of age story, part romance, part mystery, part metafictional-nested-story-frame-tale-something-or-other.
I am, quite frankly, making this up as I go. If I get it right, I get something like The Name of the Wind. Something that makes all of us happy.
But if I fuck it up, I'll end up with a confusing tangled mess of a story.
Now I'm not trying to claim that I'm unique in this. That I'm some lone pioneer mapping the uncharted storylands. Other authors do it too. My point is that doing something like this takes more time that writing another shitty, predictable Lord of the Rings knockoff.
Sometimes I think it would be nice to write a that sort of book. It would be nice to be able to use those well-established structures like a sort of recipe. A map. A paint-by-numbers kit.
It would be so much easier, and quicker. But it wouldn't be a better book. And it's not really the sort of book I want to write.