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No, not really. I’m a singer. Listen, I never meant to make money. I never wanted it. I’m a singer, man. When I put out a record called "Be-Bop-A-Lula", my only thought was to just make a living singing. But all of a sudden, I was getting $1500 a night. And you take a 19-year old boy and put him in those circumstances … I had a Cadillac and all. It was a bad scene. It shouldn’t have happened on that first record.

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He was right. I would only eke out a living as a singer. The limited success I had, which Bailey recognized, stemmed from the fact that I didn't love singing. My voice was fair and interesting; my ear was not great, or even good, but my rhythm was reliable. Still, I could never become a great singer, since I would not sacrifice for it. To become wondrously successful and to sustain that success in any profession, one must be willing to relinquish many pleasures and be ready to postpone gratification. I didn't care enough for my own singing to make other people appreciate it.

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I never really cared about achieving commercial success. As soon as I was signed to a record company, I felt like I made it because I was able to quit my day job. To me, success was just not having to have a boss and not having a day job. So I’ve been living my own version of success since the early ’90s when I first got signed and I haven’t had a job since then. I’m pretty happy about that. When I did have a little bit of commercial success, it really didn’t suit my temperament at all. I’m a terrible public person. I’m happier where I am now.

I didn't plan on rock 'n' roll. I wanted to learn jazz; I got to know some people doing rock 'n' roll with jazz, and I thought I could make money playing music. In rock 'n' roll you can realize anything that you can in jazz or anything. There's no limitation other than the beat. You have more freedom than you do in anything except jazz — which is dying — as far as making any money is concerned.

You see because doing music was not about making it, those were not the considerations for me. It was about: oh my goodness, this is such a huge price, and am I ready to pay this price?

we don’t earn much in terms of copyright and you know a lot of artists have been trying to fight so that people get paid for their music.If a song plays in radio or in a club and we are earning from it, we should be earning from it but that law is still very week but we are working on it.

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If you really want to make money, never make a decision based on money. 'Cause if you make-- if you chase money, you're gonna get less of it. If you chase a thing that you love -- that's interesting -- only because you love that thing, you'll make more money. I-- I just believe that's-- in the arts, that's the only way to make money, is to never consider money as a part of your decision.

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