What troubled her so, she thinks, is the dream's effect of nullifying the present. For she is passionately attached to her present; nothing in the wo… - Milan Kundera

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What troubled her so, she thinks, is the dream's effect of nullifying the present. For she is passionately attached to her present; nothing in the world would induce her to trade it for the past or the future. That is why she dislikes dreams: they impose an unacceptable equivalence among the various periods of the same life, a leveling contemporaneity of everything a person has ever experienced; they discredit the present by denying it its priviledged status. As in that night's dream: it obliterated a whole chunk of her life; in its place the past came lumbering in.

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About Milan Kundera

Milan Kundera (1 April 1929 – 11 July 2023) was a Franco-Czech novelist born in Brno, Czechoslovakia (now the Czech Republic).

Biography information from Wikiquote

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Alternative Names: Kundera
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That is why she dislikes dreams: they impose an unacceptable equivalence among the various periods of the same life, a leveling contemporaneity of everything a person has ever experienced; they discredit the present by denying it its privileged status.

Additional quotes by Milan Kundera

Tell me, where in life is there a value that would make us consider suicide uncalled for on principle! Love? Or friendship? I guarantee that friendship is not a bit less fickle than love and it is impossible to build anything on it. Self-love? I wish it were possible.

Because beyond their practical function, all gestures have a meaning that exceeds the intention of those who make them; when people in bathing suits fling themselves into the water, it is joy itself that shows in the gesture, notwithstanding any sadness the divers may actually feel. When someone jumps into the water fully clothed, it is another thing entirely: the only person who jumps into the water fully clothed is a person trying to drown; and a person trying to drown does not dive headfirst; he lets himself fall: thus speaks the immemorial language of gestures.

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In existential mathematics that experience takes the form of two basic equations: The degree of slowness is directly proportional to the intensity of memory; the degree of speed is directly proportional to the intensity of forgetting.

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