I’m crazy about this City.

Daylight slants like a razor cutting the buildings in half. In the top half I see looking faces and it’s not easy to tell which are people, which the work of stonemasons. Below is shadow where any blasé thing takes place: clarinets and lovemaking, fists and the voices of sorrowful women. A city like this one makes me dream tall and feel in on things. Hep. It’s the bright steel rocking above the shade below that does it. When I look over strips of green grass lining the river, at church steeples and into the cream-and-copper halls of apartment buildings, I’m strong. Alone, yes, but top-notch and indestructible-like the City in 1926 when all the wars are over and there will never be another one. The people down there in the shadow are happy about that. At last, at last, everything’s ahead. The smart ones say so and people listening to them and reading what they write down agree: Here comes the new. Look out.

This city is grey and miserable. The houses are covered with soot, the people grave and taciturn. Black masses move along the streets; meager and pale faces, the necks bend down. Children are sitting at the street corners, begging. In front of the shops women are standing with old, grey faces. Night falls. The discharge tubes ignite. Light shines down on misery and filth. My heart wrenches. Whores and pimps are dragging themselves through the small and narrow lanes. Yonder red lights are glowing. The evening seems to spread black wings over the city. Richness and misery are living close to each other. It makes you feel like crying.

THERE rests a shade above yon town,
A dark funereal shroud:
'Tis not the tempest hurrying down,
'Tis not a summer cloud.
The smoke that rises on the air
Is as a type and sign;
A shadow flung by the despair
Within those streets of thine.

I shut my eyes in order to see.

Even from afar, I see the blackened corpses that lie in the streets. Corpses that lie there because of me.

In my dreams of this city I am always lost.

the city was the same, but I was afraid. The streets lurked with danger. The tall buildings forming black canyons were traps to kill you when the earth shook. The pavement might open. The street cars might topple.

Haunted trees covered behind the curtains of their own leaves stare at the dark from the fringe of streets.

I measured the skies, now the shadows I measure. Sky-bound was the mind, Earth-bound the body rests.

The mo-o-o-on, its huge cycloptic eye,
Watches the city streets contract, twist and cripple and crack.

Cut off as I am, it is inevitable that I should sometimes feel like a shadow walking in a shadowy world. When this happens I ask to be taken to New York City. Always I return home weary but I have the comforting certainty that mankind is real flesh and I myself am not a dream.

Over the darkened city, the city of towers,
The city of a thousand gates,
Over the gleaming terraced roofs, the huddled towers,
Over a somnolent whisper of loves and hates,
The slow wind flows, drearily streams and falls,
With a mournful sound down rain-dark walls.

A city full of flesh and stone, a city where the blind led the blind and the living were as lost as the dead.

All my life I have felt a great kinship with the madman and the criminal. Practically all my life I have dwelt in big cities; I am unhappy, uneasy, unless I am in a big city. My feeling for Nature is limited to water, mountain and desert. These three form a trine which is more imperative, for me, than any spiritual alimentation. But in the city I am aware of another element which is beyond all these in power of fascination: the labyrinth. To be lost in a strange city is the greatest joy I know; to become oriented is to lose everything. To me the city is crime personified, insanity personified. I feel at home.