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I did a lot of reading on my own because I loved that particular world. You open up a book and you learn about something that's much more exciting than your everyday grind, a world of magic beyond your own. And I feel that the beginnings of writing really start whereby you know that when you open a book there's a magical world there.
I was very fond of strange stories when I was a child. In my village-school days, I used to buy stealthily the popular novels and historical recitals. Fearing that my father and my teacher might punish me for this and rob me of these treasures, I carefully hid them in secret places where I could enjoy them unmolested. As I grew older, my love for strange stories became even stronger, and I learned of things stranger than what I had read in my childhood. When I was in my thirties my memory was full of these stories accumulated through years of eager seeking. [...] I have sometimes laughingly said to myself that it is not I who have found these ghosts and monsters, but they, the monstrosities themselves, which have found me!
I’ve always found solace in being able to lose myself in a story. It fueled my imagination – my own desire to tell stories. I didn’t have brothers growing up… I didn’t have close friends, so I was left to my own devices. I took to writing, reading a lot and building Lego kits and creating my own worlds and stories.
Having to amuse myself during those earlier years, I read voraciously and widely. Mythic matter and folklore made up much of that reading — retellings of the old stories (Mallory, White, Briggs), anecdotal collections and historical investigations of the stories' backgrounds — and then I stumbled upon the Tolkien books which took me back to Lord Dunsany, William Morris, James Branch Cabell, E.R. Eddison, Mervyn Peake and the like. I was in heaven when Lin Carter began the Unicorn imprint for Ballantine and scoured the other publishers for similar good finds, delighting when I discovered someone like Thomas Burnett Swann, who still remains a favourite.
This was before there was such a thing as a fantasy genre, when you'd be lucky to have one fantasy book published in a month, little say the hundreds per year we have now. I also found myself reading Robert E. Howard (the Cormac and Bran mac Morn books were my favourites), Lovecraft, Clark Ashton Smith and finally started reading science fiction after coming across Andre Norton's Huon of the Horn. That book wasn't sf, but when I went to read more by her, I discovered everything else was. So I tried a few and that led me to Clifford Simak, Roger Zelazny and any number of other fine sf writers.
These days my reading tastes remain eclectic, as you might know if you've been following my monthly book review column in The Magazine of Fantasy & Science Fiction. I'm as likely to read Basil Johnston as Stephen King, Jeanette Winterson as Harlan Ellison, Barbara Kingsolver as Patricia McKillip, Andrew Vachss as Parke Godwin — in short, my criteria is that the book must be good; what publisher's slot it fits into makes absolutely no difference to me.
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However, when I’m able to think and write about fiction, I very much enjoy it. I began writing fiction for myself when I was about 10 years old, because I ran out of books to read. I discovered that I enjoyed it almost as much as I enjoyed reading. Therefore, I think the pleasure I get out of writing fiction is what enables me to maintain my momentum and interest—and is the reason I’ve been writing for almost 30 years, even though most of what I’ve written has not been read by anyone.
I believed anything can happen. It was a huge escape for me as reader. I loved anything that could remove me from reality and make me see possibilities. Fiction in general gives you the freedom of exploring the truth without boundaries, to get to a deeper truth, and fairy tales have always been my model.
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