In my short story “Unsuitable Ties”, I have a snobbish character called Biola whom I refer to as an authority on class since her early schooling in S… - Sefi Atta

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In my short story “Unsuitable Ties”, I have a snobbish character called Biola whom I refer to as an authority on class since her early schooling in Switzerland. Characters like these provide comic relief for me. Blame the British as well. They left us with a social construct called class distinction, which makes no sense except to justify the oppression of the majority of Nigerians.

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About Sefi Atta

Sefi Atta (born January 1964) is a prize-winning Nigerian-American novelist, short-story writer, playwright and screenwriter. Her books have been translated into many languages, radio plays have been broadcast by the BBC, and her stage plays have been performed internationally. Awards she has received include the 2006 Wole Soyinka Prize for Literature in Africa and the 2009 Noma Award for Publishing in Africa.

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I suppose the reason I write about the Lagos elite at all is that they don’t become writers. Ikoyi people in particular are underrepresented in Nigerian literature. Ikoyi itself is often described as a place where rich, powerful people live. But when I was growing up there, the people I knew were not unlike those who lived on Victoria Island, and districts on the mainland such as Apapa and Ikeja, and estates such as Alaka and Palmgrove.

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In this particular novel, the Fanon quotation identifies the process we’re going through and explains our failures so far. What I then do is show we are products of complex pre- and postcolonial systems that determine our orientations. The heart of the story, though, is Remi Lawal’s difficult relationship with Nigeria.

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