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Creation's being is God's pleasure, creation's beauty God's glory; beauty reveals the shining of an uncreated light. … Creation is only a splendor that hangs upon that life of love and knowledge, and only by grace; it is first and foremost a surface, a shining fabric of glory, whose inmost truth is its aesthetic correspondence to the beauty of divine love. … It is delight that constitutes creation, and so only delight can comprehend it, see it aright, understand its grammar. Only in loving creation's beauty—only in seeing that creation truly is beauty—does one apprehend what creation is.

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Bliss means you have reached to the very innermost core of your being. It belongs to the ultimate depth of your being where even the ego is no more, where only silence prevails; you have disappeared. In joy you exist a little bit, but in bliss you are not. Th ego has dissolved; it is a state of nonbeing.

My experience is that everything is bliss. But the desire for bliss creates pain. Thus bliss becomes the seed of pain. The entire universe of pain is born of desire. Give up the desire for pleasure and you will not even know what is pain. (…) for the sake of pleasure you are committing many sins. And the fruits of sin are suffering and death.

The radiance of consciousness-bliss, in the form of one awareness shining equally within and without, is the supreme and blissful primal reality. Its form is silence and it is declared by jnanis to be the final and unobstructable state of true knowledge [jnana].

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Text of bliss: the text that imposes a state of loss, the text that discomforts (perhaps to the point of a certain boredom), unsettles the reader's historical, cultural, psychological assumptions, the consistency of his tastes, values, memories, brings to a crisis his relation with language.

"Text of pleasure: the text that contents, fills, grants euphoria; the text that comes from culture and does not break with it, is linked to a comfortable practice of reading.
Text of bliss: the text that imposes a state of loss, the text that discomforts (perhaps to the point of a certain
boredom), unsettles the reader's historical, cultural, psychological assumptions, the consistency of his tastes, values, memories, brings to a crisis his relation with language.

Now the subject who keeps the two texts in his field and in his hands the reins of pleasure and bliss is an anachronic subject, for he simultaneously and contradictorily participates in the profound hedonism of all culture (which permeates him quietly under the cover of an "art de vivre" shared by the old books) and in the destruction of that culture: he enjoys the consistency of his selfhood (that is his pleasure) and seeks its loss (that is his bliss). He is a subject split twice over, doubly perverse."

Meditate upon the Knowledge and Bliss Eternal, and you will also have bliss. The Bliss indeed is eternal, only it is covered and obscured by ignorance. The less your attachment is towards the senses, the more will be your love towards God.

Creation means discovery of a new reality that exists but that has not yet been noticed. The word is alive again. The speaking word. The verbs are in revolt—a revolt of the masses against the representation that has always been the main weapon of the state. (p.121)

Creation is designed in such a way that it is oriented to worship. It fulfills its purpose and assumes its significance when it is lived, ever new, with a view to worship. Creation exists for the sake of worship. As Saint Benedict said in his Rule: Operi Dei nihil praeponatur

Entities other than Brahman can be objects of such cognitions of the nature of joy only to a finite extent and for limited duration. But Brahman is such that cognizing of him is an infinite and abiding joy. It is for this reason that the shruti [scripture] says, `Brahman is bliss’ ( II.6.) Since the form of cognition as joy is determined by its object, Brahman itself is joy.

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