For me, creative energy is like an old-fashioned ground-water well. When the well is dry, it’s dry. I can dig all I like, and all I’ll get for my pains is sore hands, some very bad prose, and maybe (if I’m lucky) a few odd droplets of notes I can actually use. Or not. It’s usually not worth it. After many years, I’ve discovered that it’s better to wait until some ground water seeps back into the well rather than to try and lick up every drop as it emerges.
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I don’t know if my writing has the energy you say it does. Of course, if that energy exists, it’s because either it finds no other outlets or, consciously or not, I’ve refused to give it other outlets. Of course, when I write, I draw on parts of myself, of my memory, that are agitated, fragmented, that make me uncomfortable. A story, in my view, is worth writing only if its core comes from there.
I also had to detach myself from my thoughts through turning my desire away from them. And at once, I noticed that my self became a desert, where only the sun of unquiet desire burned. I was overwhelmed by the endless infertility of this desert. Even if something could have thrived there, the creative power of desire was still absent. Wherever the creative power of desire is, there springs the soil's own seed. But do not forget to wait. Did you not see that when your creative force turned to the world, how the dead things moved under it and through it, how they grew and prospered, and hour your thoughts flowed in rich rivers? If your creative force now turns to the place of the soul, you will see how your soul becomes green and how its field bears wonderful fruit.
What happens in the case of a constructive psychic energy when it [the inner self] is purposely denied aggressive outlets? It finds out . . . How strong and potent is the energy that is at its command?... It is quite necessary that all these questions be answered, for the inner self is composed of energy, and in other fields of activity thoughts and emotions are instantaneously translated, their results instantly seen. There is no saving time lag.
The trouble with creative work: Sometimes by the time people catch on to what’s valuable about what you do, you’re either a) bored to death with it, or b) dead. You can’t go looking for validation from external sources. Once you put your work into the world, you have no control over the way people will react to it.
What had dried up was not a well or pool or ocean of physical water. What had dried up was wit, and artistry, and congruence, and enjoyment, and the sparkle of the spirit. What had dried up was creativity in every form... Musicians couldn't improvise. They had nothing left to improvise with. The art of creative lying came to an end. Profanity became tired: it became louder and more in use, but it was repetitious and unoriginal. Pornography similarly lost gusto and increased in stridency. Jokes died out, and intuitions died. Problem-solving was a lost talent. And the roily oil that had made the slide through life so much easier had now lost its slickness and turned into an abrasive. The incredible creativity by which (and only by which) persons had managed to get along with each other at all was gone... At least one-third of the persons in the world had been super-creative in personal relations. If it hadn't been so, then personal relations would have been impossible.
The instinct which creates the arts is not the same as that which produces art. The creative instinct is, in its final analysis and in its simplest terms, an enormous extra vitality, a super-energy, born inexplicably in an individual, a vitality great beyond all the needs of his own living — an energy which no single life can consume. This energy consumes itself then in creating more life, in the form of music, painting, writing, or whatever is its most natural medium of expression. Nor can the individual keep himself from this process, because only by its full function is he relieved of the burden of this extra and peculiar energy — an energy at once physical and mental, so that all his senses are more alert and more profound than another man's, and all his brain more sensitive and quickened to that which his senses reveal to him in such abundance that actuality overflows into imagination. It is a process proceeding from within. It is the heightened activity of every cell of his being, which sweeps not only himself, but all human life about him, or in him, in his dreams, into the circle of its activity.
Creativity is difficult. When you are being creative, you’re living by faith. You don’t know what’s next because the created, by definition, is what’s never been before. So you’re living at the edge of something in which you’re not very confident. You might fail: in fact, you almost certainly will fail a good part of the time. All the creative persons I know throw away most of the stuff they do.
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