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" "History is a hermaphrodite with many distinguished lovers. We are neither mysteries nor strangers but the living breath of revelation made flesh by the unrestrained desires of a free and universal love. Universal me. Universal you.
Aberjhani (born July 8, 1957, in Savannah, Georgia) is an African-American historian, poet, journalist, essayist, and fiction writer. His Encyclopedia of the Harlem Renaissance is one of the most referenced titles on the 1920s to 1940s cultural movement, and his first book, I Made My Boy Out of Poetry, is often described as a modern underground classic.
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Writing provided me as a teenager, first with a tool to navigate my way through a constantly humming nighttime swamp of inner traumas, and second with a means to comprehend and address the material world of race, poverty, and social backwardness that characterized my hometown at that time. Words, like music, gave themselves to me as companions and have always endowed my existence with a strength and resilience that otherwise I would not have.
Whereas it might be erroneous to claim that the literature, art, and music of the Harlem Renaissance revolutionized the practice of democracy in the United States, it would not be an error to point out that the ideas they championed did impact America's understanding, and subsequently its application, of democracy.
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I wanted the kind of power of insight and self-command that I experienced in the works of a Jean Paul Sartre, James Baldwin, or Margaret Walker. I wanted to make that kind of music that I heard in the poetry of a Langston Hughes or the stories of James Joyce. That combination of power and beauty more than anything else is probably what made me most want to become a writer. It wasn't until I became a journalist with the U.S. Air Force that I became more objective in my literary outlook and accepted that writing professionally included responsibilities to something other than my personal desires or needs.