this epidemic of fear was not born out of some genuine, daily increasing certainty of disaster but of an infection of the imagination whose susceptib… - László Krasznahorkai

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this epidemic of fear was not born out of some genuine, daily increasing certainty of disaster but of an infection of the imagination whose susceptibility to its own terrors might eventually lead to an actual catastrophe, in other words the false premonition that a man who had lost his bearings might succumb to once the inner structure of his life,

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About László Krasznahorkai

László Krasznahorkai (; born 5 January 1954) is a Hungarian novelist and screenwriter known for difficult and demanding novels, often labeled postmodern, with dystopian and melancholic themes. Several of his works, including his novels Satantango (, 1985) and The Melancholy of Resistance (, 1989), have been turned into feature films by Hungarian film director Béla Tarr.

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Native Name: Krasznahorkai László
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Additional quotes by László Krasznahorkai

Halics’s whole body felt as though it had lost definition and, as for his coat, it had lost whatever resistance to water it once had nor could it protect him from the roaring cataract of fate, or, as he tended to say, “the rain of death in the heart,” a rain that beat, day and night, against both his withered heart and defenseless organs.

He gazed sadly at the threatening sky, at the burned-out remnants of a locust-plagued summer, and suddenly saw on the twig of an acacia, as in a vision, the progress of spring, summer, fall and winter, as if the whole of time were a frivolous interlude in the much greater spaces of eternity, a brilliant conjuring trick to produce something apparently orderly out of chaos, to establish a vantage point from which chance might begin to look like necessity . . . and he saw himself nailed to the cross of his own cradle and coffin, painfully trying to tear his body away, only, eventually, to deliver himself — utterly naked, without identifying mark, stripped down to essentials — into the care of the people whose duty it was to wash the corpses, people obeying an order snapped out in the dry air against a background loud with torturers and flayers of skin, where he was obliged to regard the human condition without a trace of pity, without a single possibility of any way back to life, because by then he would know for certain that all his life he had been playing with cheaters who had marked the cards and who would, in the end, strip him even of his last means of defense, of that hope of someday finding his way back home.

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In vain would we talk about nature, nature doesn’t want this; it is no use to talk about the divine, the divine doesn’t want this, and anyway, no matter how much we want to, we are unable to talk about anything other than ourselves, because we are only capable of talking about history, about the human condition, about that never-changing quality whose essence carries such titillating relevance only for us; otherwise, from the viewpoint of that “divine otherwise,” this essence of ours is, actually, possibly of no consequence whatsoever, for ever and aye.

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