Look up from your BlackBerry one night. That is the moon. On it are exactly 12 sets of human footprints -- untouched, unchanged, abandoned. For the first time in history, the moon is not just a mystery and a muse, but a nightly rebuke. A vigorous young president once summoned us to this new frontier, calling the voyage "the most hazardous and dangerous and greatest adventure on which man has ever embarked." And so we did it. We came. We saw. Then we retreated. How could we?

I was like a lost moon — my planet destroyed in some cataclysmic, disaster-movie scenario of desolation — that continued, nevertheless, to circle in a tight little orbit around the empty space left behind, ignoring the laws of gravity.

Also the moon and I have this in common: we both are wanderers across the night.

I realized I still had my eyes shut. I had shut them when I put my face to the screen, like I was scared to look outside. Now I had to open them. I looked out the window and saw for the first time how the hospital was out in the country. The moon was low in the sky over the pastureland; the face of it was scarred and scuffed where it had just torn up out of the snarl of scrub oak and madrone trees on the horizon. The stars up close to the moon were pale; they got brighter and braver the farther they got out of the circle of light ruled by the giant moon. It called to mind how I noticed the exact same thing when I was off on a hunt with Papa and the uncles and I lay rolled in blankets Grandma had woven, lying off a piece from where the men hunkered around the fire as they passed a quart jar of cactus liquor in a silent circle. I watched that big Oregon prairie moon above me put all the stars around it to shame. I kept awake watching, to see if the moon ever got dimmer or if the stars got brighter, till the dew commenced to drift onto my cheeks and I had to pull a blanket over my head.
Something moved on the grounds down beneath my window — cast a long spider of shadow out across the grass as it ran out of sight behind a hedge. When it ran back to where I could get a better look, I saw it was a dog, a young, gangly mongrel slipped off from home to find out about things went on after dark. He was sniffing digger squirrel holes, not with a notion to go digging after one but just to get an idea what they were up to at this hour. He’d run his muzzle down a hole, butt up in the air and tail going, then dash off to another. The moon glistened around him on the wet grass, and when he ran he left tracks like dabs of dark paint spattered across the blue shine of the lawn. Galloping from one particularly interesting hole to the next, he became so took with what was coming off — the moon up there, the night, the breeze full of smells so wild makes a young dog drunk — that he had

I could distinguish the shape of her bosom, her arms, her thighs, just as I remember them now, just as now, when the Moon has become that flat, remote circle, I still look for her as soon as the first sliver appears in the sky, and the more it waxes, the more clearly I imagine I can see her, her or something of her, but only her, in a hundred, a thousand different vistas, she who makes the Moon the Moon and, whenever she is full, sets the dogs to howling all night long, and me with them.

We knew the Moon from our earliest days. It was there when our ancestors descended from the trees into the savannahs, when we learned to walk upright, when we first devised stone tools, when we domesticated fire, when we invented agriculture and built cities and set out to subdue the Earth.

I know the ugly faces the moon makes when it thinks no one is watching.

In the east the moon was rising, a full moon that lighted the landscape so that he could see every little clump of bushes, every grove of trees. And as he stood there, he realized with a sudden start that the moon was full again, that it was always full, it rose with the setting of the sun and set just before the sun came up, and it was always a great pumpkin of a moon, an eternal harvest moon shining on an eternal autumn world. The realization that this was so all at once seemed shocking. How was it that he had never noticed this before? Certainly he had been here long enough, had watched the moon often enough to have noticed it. He had been here long enough — and how long had that been, a few weeks, a few months, a year? He found he did not know. He tried to figure back and there was no way to figure back. There were no temporal landmarks. Nothing ever happened to mark one day from the next. Time flowed so smoothly and so uneventfully that it might as well stand still.

The moon is a faithful companion, witnessing our joys and sorrows as it watches over us.

The sweetness of dogs (fifteen)

What do you say, Percy? I am thinking
of sitting out on the sand to watch
the moon rise. Full tonight.
So we go

and the moon rises, so beautiful it
makes me shudder, makes me think about
time and space, makes me take
measure of myself: one iota
pondering heaven. Thus we sit,

I thinking how grateful I am for the moon’s
perfect beauty and also, oh! How rich
it is to love the world. Percy, meanwhile,
leans against me and gazes up into
my face. As though I were
his perfect moon.

Drink wine and look at the moon
and think of all the civilisations
the moon has seen passing by.

Who could be so lucky? Who comes to a lake for water and sees the reflection of moon?

The moon, by her comparative proximity, and the constantly varying appearances produced by her several phases, has always occupied a considerable share of the attention of the inhabitants of the earth.

The moon is no door. It is a face in its own right,
White as a knuckle and terribly upset.
It drags the sea after it like a dark crime; it is quiet
With the O-gape of complete despair. I live here.