My intention is to give a sense of the grand sweep of literary artists—that is, novelists, poets, and playwrights—reacting through their art to Spino… - Benedictus de Spinoza

In the antiquity, every senior man had the desire for the fame – this came from the fact that everyone believed to be at the beginning of the humanity and knew which broadness and duration to give oneself, to be transposed in the posterity as tragedy playing on the eternal scene. My pride is that ‘I have origins’ – therefore I do not need any fame. Whilst what moved Zarathustra, Moses, Mahomet, Jesus, Plato, Brutus, Spinoza, Mirabeau, I was already living and it came to me in many things mature in the daylight what a couple of thousands of years needed.

The Ethics is a book of concepts (the second kind of knowledge), but also of affects (the first kind) and percepts (the third kind) too. Thus the paradox in Spinoza is that he's the most philosophical of philosophers, the purest in some sense, but also the one who more than any other addresses non-philosophers and calls forth the most intense non-philosophical understanding. That is why absolutely anyone can read Spinoza, and be very moved, or see things quite differently afterward, even if they can hardly understand Spinoza's concepts. Conversely, a historian of philosophy who understands only Spinoza's concepts doesn't fully understand him.

I will not attempt to describe here the many lessons that I learned in the study of Spinoza, lessons that in several respects laid the foundation of my philosophy.