Satire is a lesson, parody is a game.

The wit makes fun of other persons; the satirist makes fun of the world; the humorist makes fun of himself.

The wit makes fun of other persons; the satirist makes fun of the world; the humorist makes fun of himself, but in so doing, he identifies himself with people — that is, people everywhere, not for the purpose of taking them apart, but simply revealing their true nature.

The parody is the last refuge of the frustrated writer. Parodies are what you write when you are associate editor of the Harvard Lampoon. The greater the work of literature, the easier the parody. The step up from writing parodies is writing on the wall above the urinal.

Satire is a sort of glass wherein beholders do generally discover everybody’s face but their own; which is the chief reason for that kind reception it meets with in the world, and that so very few are offended with it.

Satire is a sort of glass, wherein beholders do generally discover everybody's face but their own.

Whether it makes us smile or irritates us, political satire encourages us to look inside ourselves and, more generally, at what is happening in society. [...] In any case, even an ungenerous and disrespectful attack is better than any kind of censorship. We can defend ourselves against the former, but not the latter.

There are two kinds of humor. One kind that makes us chuckle about our foibles and our shared humanity -- like what Garrison Keillor does. The other kind holds people up to public contempt and ridicule -- that's what I do. Satire is traditionally the weapon of the powerless against the powerful. I only aim at the powerful. When satire is aimed at the powerless, it is not only cruel -- it's vulgar. —quoted in People magazine interview, 1991.

Comedy, as we said, is an imitation of people of a lower sort, though not in respect to every vice; rather, what is ridiculous is part of what is ugly.

Literality in satire is the condemnation by quotation.

There is no better way to box stupidity than to satirize it.

Parodies are hard to do well, as is shown by the mediocrity of so many recent attempts. No matter how ripe a genre is for satirizing, unless you know how to do it, there are no guarantees.

Is not parody the eternal lot of man?

Satire is at once the most agreeable and most dangerous of mental qualities. It always pleases when it is refined, but we always fear those who use it too much, yet satire should be allowed when unmixed with spite, and when the person satirised can join in the satire. It is unfortunate to have a satirical turn without affecting to be pleased or without loving to jest.