Borders are set up to define the places that are safe and unsafe, to distinguish us from them. A border is a dividing line, a narrow strip along a st… - Gloria E. Anzaldúa

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Borders are set up to define the places that are safe and unsafe, to distinguish us from them. A border is a dividing line, a narrow strip along a steep edge. A borderland is a vague and undetermined place created by the emotional residue of an unnatural boundary. It is in a constant state of transition. The prohibited and forbidden are its inhabitants.

English
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About Gloria E. Anzaldúa

Gloria Evangelina Anzaldúa (September 26, 1942 – May 15, 2004) was a Chicana lesbian feminist scholar of Chicana cultural theory, feminist theory, and queer theory. She loosely based her best-known book, Borderlands/La Frontera: The New Mestiza, on her life growing up on the Mexico–Texas border and incorporated her lifelong experiences of social and cultural marginalization into her work.

Also Known As

Alternative Names: Gloria E. Anzaldua Gloria Evangelina Anzaldúa
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Additional quotes by Gloria E. Anzaldúa

The seed for this book came to me in the mid-seventies in a graduate English class taught by a "white" male professor at the University of Texas at Austin. As a Chicana, I felt invisible, alienated from the gringo university and dissatisfied with both el movimiento Chicano and the feminist movement. Like many of the contributors to Bridge I rebelled, using writing to work through my frustrations and make sense of experiences.

I did participate in the Chicano Movement. Actually, I started out with MECHA, a Mexican American youth organization. Also I was involved with different farm worker activities in South Texas and later in Indiana. When I became more recognized as a writer, I started articulating a lot of these feminist ideas that were a kind of continuation of the Chicano Movement. But I call it "El Movimiento Macha." A marimacha is a woman who is very assertive. That is what they used to call dykes, marimachas, half-and-halfs. You were different, you were queer, not normal, you were marimacha. I had been witnessing all these Chicana writers, activists, artists and professors who were very strong and therefore very marimacha. So I named it "El Movimiento Macha" as the Chicano Civil Rights Movement kind of petered out. And there were women like myself, many Chicanas, who were already questioning, having problems with the guys who were ignoring women's issues. Therefore, in the eighties and nineties, there are all these women-Chicana activists, writers and artists-around, and I listen to them, read them and reflect their influence on my life as well. What you could say is that in the sixties and the early seventies the Chicanos were at the controls. They were the ones who were visible, the Chicano leaders. Then in the eighties and nineties, the women have become visible. I see a lot of Chicanas when I travel. They come up to me, and while we are talking I ask them about their role models. They mention names like Cherríe Moraga, Gloria Anzaldúa and other Chicana authors. It is, and will continue to be, women that they are reading, that they respect. Not the guys. So it-the Chicano Movement-has shifted into the Movimiento Macha.

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