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" "I think ultimately that mutual aid is going to teach us a ton about how to be in communities that can be accountable to each other, because mutual aid only works when you're able to say, "I have a need," [and someone else says] "I have something to offer to that need. Being in conflict is just another need.
Adrienne Maree Brown, often styled adrienne maree brown (born September 6, 1978), is a writer, activist and facilitator. From 2006 to 2010, she was the executive director of the Ruckus Society. She also co-founded and directed the United States League of Young Voters.
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I don’t avoid the “activist guilt” that’s tied to devoting yourself to justice, but... I certainly examine it. I believe it's tied to the truth that, as an individual, I can never do enough in the face of all the intersecting injustices of my life and time. But I sometimes look at how far I've come, in my lifetime, in my lineage. How much repression I have cast off, how much oppression I have negated, how I went from homophobic to pansexual, from military brat to post-nationalist/post-capitalist. I feel free a lot, I surround myself with good revolutionary people...and I think, ok padawon. This may be an insignificant life in some grand epic scape, but in the scale of my life, I am doing my best and really getting a lot done for a lazy weed lover.
I think we're in this really important, beautiful phase where we're learning so much can happen even at a distance. But it's a double-edged sword because so much of what is happening is happening on platforms that were not necessarily designed for us to use them to foment change and to bring down systems of harm. They were designed to serve capitalism, which means they want as many clicks and likes and as much engagement as possible. And what gets a lot of engagement is drama.
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Afrofuturism, I will say, is a thrilling — to me, a thrilling arena. And now there’s African futurism. There’s Black speculative fiction. There’s all these arenas where, basically, Black people and people of African lineage are saying, “We were almost erased from the lineage. Right? People wanted to erase us and have us just be labor. We’re writing ourselves back in. We’re writing ourselves back in. We’re creating stories that are rooted in African heritage and that articulate an African future.” So, it’s an exciting place. It’s an exciting arc to be inside of as a creator.