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"You need not think of [Black Jade] any more, for she died a few days ago while you were unconscious!"
Pao-yu sat up and cried, "Is it true?"
"Of course it is true," Precious Virtue said. "Do you think I would say such a terrible thing of anyone if it were not? [...]"
Pao-yu cried unrestrainedly until he fell back, exhausted and unconscious.
Chi-chen Wang (王際真 Wang Jizhen) (1899 – 2001) was a Chinese-born American literary scholar and translator. He taught as a professor at Columbia University from 1929 until his retirement in 1965. He was known for his translations of traditional and modern Chinese literature, especially his two adapted translations of Dream of the Red Chamber in 1929 and 1958.
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[Shih-yin] was walking one day on the street, leaning on a cane, when he saw a lame Taoist in hemp sandals and tattered rags coming toward him, chanting this song: <blockquote>We all envy the immortals because they are free,
But fame and fortune we cannot forget.
Where are the ministers and generals of the past and the present?
Under neglected graves overgrown with weeds. We all envy the immortals because they are free,
But gold and silver we cannot forget.
All our lives we save and hoard and wish for more,
When suddenly our eyes are forever closed. We all envy the immortals because they are free,
But our precious wives we cannot forget.
They speak of love and constancy while we live,
But marry again soon enough after we are dead. We all envy the immortals because they are free,
But our sons and grandsons we cannot forget.
Many there are, of doting parents, from ancient times—
But how few of the sons are filial and obedient! </blockquote>After hearing this, Shih-yin went up to the Taoist and asked him, "What are you trying to say? All I can get is 'free' and 'forget.'"
"That's all you need to get," the Taoist answered, laughing. "For if you are free, you'll forget, and if you forget, you'll be free. In other words, to forget is to be free and to be free is to forget. That's why I call my song 'Forget and be free.'"
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[Black Jade] had her lamp relit and began to compose a series of quatrains, writing them directly on the handkerchiefs that Pao-yu had sent. After writing three stanzas, she began to feel exhausted and feverish. Going to her mirror, she found her cheeks flushed as if they were afire. She thought nothing of it, but from that moment on, her illness entered a more critical stage.