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All grandeur, all power, all subordination to authority rests on the executioner: he is the horror and the bond of human association. Remove this incomprehensible agent from the world and at that very moment order gives way to chaos, thrones topple and society disappears.

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The executioner proper, the official who would place the nooses around the necks of the condemned, was a practiced hangman, his occupation begun in his youth in Texas, where he apprenticed under the regular hangman.

The thing that I think very striking is that no one, or no one I can remember, ever writes of an execution with approval. The dominant note is always horror. Society, apparently, cannot get along without capital punishment—for there are some people whom it is simply not safe to leave alive—and yet there is no one, when the pinch comes, who feels it right to kill another human being in cold blood. I watched a man hanged once. There was no question that everybody concerned knew this to be a dreadful, unnatural action. I believe it is always the same—the whole jail, warders and prisoners alike, is upset when there is an execution. It is probably the fact that capital punishment is accepted as necessary, and yet instinctively felt to be wrong, that gives so many descriptions of executions their tragic atmosphere. They are mostly written by people who have actually watched an execution and feel it to be a terrible and only partly comprehensible experience which they want to record; whereas battle literature is largely written by people who have never heard a gun go off and think of a battle as a sort of football match in which nobody gets hurt.

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The public execution, then, has a juridico-political function. It is a ceremonial by which a momentarily injured sovereignty is reconstituted. It restores that sovereignty by manifesting it at its most spectacular. The public execution, however hasty and everyday, belongs to a whole series of great rituals in which power is eclipsed and restored (coronation, entry of the king into a conquered city, the submission of rebellious subjects); over and above the crime that has placed the sovereign in contempt, it deploys before all eyes an invincible force. Its aim is not so much to re-establish a balance as to bring into play, as its extreme point, the dissymmetry between the subject who has dared to violate the law and the all-powerful sovereign who displays his strength.

The brutality of our corporate executioners grows by the day. They will stop at nothing, including wholesale murder, to consolidate power and amass greater profits. Blinded by hubris, driven by greed, disdainful of democracy, foolishly believing their wealth will protect them, they will herd us over the cliff unless they are overthrown

The enemy of execution is complexity.

To me the moral is that he has the last word who disposes over the greatest force. I mean the executioner and his assistants, both great and small. If I were the Irish woman, I should rest most uneasy in my grave knowing to what interpreter the story of my last hours has been consigned.

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Yet is every man his greatest enemy, and as it were, his owne executioner.

A man who comes to be hanged,' pursued Jasper, impartially, 'has the satisfaction of knowing that he has brought society to its last resource. He is a man of such fatal importance that nothing will serve against him but the supreme effort of law. In a way, you know, that is success.' 'In

Observe this fact: in the history of mankind, every ruler who has lacked personal greatness has been forced to compensate for the deficiency by setting up the executioner at his right hand like a guardian angel

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