I don't see why the young in Prague or Budapest or Warsaw shouldn't be allowed to go to hell in a handcart if they want to. They do it everywhere els… - John Banville

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I don't see why the young in Prague or Budapest or Warsaw shouldn't be allowed to go to hell in a handcart if they want to. They do it everywhere else and they have great fun doing so.

English
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About John Banville

John Banville (born 8 December 1945) is an Irish novelist and journalist. He is recognised for his precise, cold, forensic prose style, Nabokovian inventiveness, and for the dark humour of his generally arch narrators. His stated ambition is to give his prose "the kind of denseness and thickness that poetry has".

Also Known As

Alternative Names: Benjamin Black William John Banville
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Additional quotes by John Banville

Benjamin Black is a craftsman and these are crafted works. I'm very proud of them. I think they're well made, but Banville is doing something else – he's trying to make a kind of poetry, I suppose. I'm a perfectionist. It's an illness but a good illness. It's a completely different method of writing. Banville writes with a fountain pen on paper in a manuscript book and Black works straight on to the screen. It could take me a whole morning to write a few sentences as Banville, but as Black I'd be very annoyed if I didn't have at least two or three pages done. This drives crime-writers crackers because they think I'm saying that their craft is not worth it. I'm simply saying it's a different thing. I don't know why they worry when I talk about speed; after all, Georges Simenon wrote his books in about 10 days.

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Saturday is a dismayingly bad book. The numerous set pieces—brain operations, squash game, the encounters with Baxter, etc. — are hinged together with the subtlety of a child's Erector Set. The characters too, for all the nuzzling and cuddling and punching and manhandling in which they are made to indulge, drift in their separate spheres, together but never touching, like the dim stars of a lost galaxy. The politics of the book is banal, of the sort that is to be heard at any middle-class Saturday-night dinner party, before the talk moves on to property prices and recipes for fish stew. There are good things here, for instance the scene when Perowne visits his senile mother in an old-folks' home, in which the writing is genuinely affecting in its simplicity and empathetic force. Overall, however, Saturday has the feel of a neoliberal polemic gone badly wrong; if Tony Blair — who makes a fleeting personal appearance in the book, oozing insincerity — were to appoint a committee to produce a "novel for our time," the result would surely be something like this.

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