True literature can exist only when it is created, not by diligent and reliable officials, but by madmen, hermits, heretics, dreamers, rebels and ske… - Yevgeny Zamyatin
" "True literature can exist only when it is created, not by diligent and reliable officials, but by madmen, hermits, heretics, dreamers, rebels and skeptics.
About Yevgeny Zamyatin
Yevgeny Ivanovich Zamyatin [Евге́ний Ива́нович Замя́тин — also romanized as Eugene Zamiatin, as well as Evgeny, Evgenij; Ivenovitch, Evenovitch, and Zamjatin] (February 1, 1884 – March 10, 1937) was a Russian author famous for his dystopian novel, We, which influenced and inspired later dystopian works such as Aldous Huxley's Brave New World and George Orwell's Nineteen Eighty-Four.
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Additional quotes by Yevgeny Zamyatin
Ask point blank: What is revolution? Some people will answer, paraphrasing Louis XIV: We are the revolution. Others will answer by the calendar, naming the month and the day. Still others will give you an ABC answer. But if we are to go on from the ABC to syllables, the answer will be this: Two dead, dark stars collide with an inaudible, deafening crash and light a new star: this is revolution. A molecule breaks away from its orbit and, bursting into a neighboring atomic universe, gives birth to a new chemical element: this is revolution. Lobachevsky cracks the walls of the millennia old Euclidean world with a single book, opening a path to innumerable non-Euclidean spaces: this is revolution. Revolution is everywhere, in everything. It is infinite. There is no final revolution, no final number. The social revolution is only one of an infinite number of numbers: the law of revolution is not a social law, but an immeasurably greater one. It is a cosmic, universal law — like the laws of the conservation of energy and of the dissipation of energy (entropy).
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When the flaming, seething sphere (in science, religion, social life, art) cools, the fiery magma becomes coated with dogma—a rigid, ossified, motionless crust. Dogmatization in science, religion, social life, or art is the entropy of thought. What has become dogma no longer burns; it only gives off warmth — it is tepid, it is cool. Instead of the Sermon on the Mount, under the scorching sun, to up-raised arms and sobbing people, there is drowsy prayer in a magnificent abbey. Instead of Galileo's "But still, it turns!" there are dispassionate computations in a well-heated room in an observatory. On the Galileos, the epigones build their own structures, slowly, bit by bit, like corals. This is the path of evolution — until a new heresy explodes the crush of dogma and all the edifices of the most enduring stone which have been raised upon it. Explosions are not very comfortable. And therefore the exploders, the heretics, are justly exterminated by fire, by axes, by words. To every today, to every evolution, to the laborious, slow, useful, most useful, creative, coral-building work, heretics are a threat. Stupidly, recklessly, they burst into today from tomorrow; they are romantics.