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" "You can Google my name, and ... There are lots of videos that they put out online... and you can watch these. However, even that is only a substitute. There's nothing that replaces your own touch. Trying things yourself, and indeed noticing curiosities in nature itself.
(Japanese: 時枝正; born 1968) is a Japanese mathematician, working in mathematical physics. He is a professor of mathematics at Stanford University; previously he was a fellow and Director of Studies of Mathematics at Trinity Hall, Cambridge. He is also very active in inventing, collecting, and studying toys that uniquely reveal and explore real-world surprises of mathematics and physics. In comparison with most mathematicians, he had an unusual path in life: he started as a painter, and then became a classical philologist, before switching to mathematics.
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[I]t's just that mathematics is an unforgiving subject where any misunderstanding, any lack of understanding shows immediately, whereas in the rest of human endeavors you can keep going by faking for quite a long time. So in that way, yes, the language frames how you understand mathematics, but in that very very practical way. ...[T]he best way to improve your chance of future advance in mathematics is to practice, and improve your native language.
Draw pictures, draw pictures! As a guideline, when I do research in any area (fluid mechanics, geometry, dynamical systems, topology, combinatorics, representation theory), I always draw pictures when I'm doing research. I'm drawing one picture every few minutes, so by the end of the day, after maybe six or seven hours, I have maybe 30, 40 pictures, if not more. So in a week that's hundreds. You should be drawing lots and lots of pictures, trying lots of pictures. Some of these pictures can be in your head, but you should start by drawing lots of real pictures, on paper. But not a few pictures. Not tens of pictures. Hundreds of pictures, please, hundreds. Because that's how we can, eventually, listen to Mozart's music - in mathematics!
[T]here are lots of things that one does which are essential, indespensable for survival and which is foundational for everything else, about which people never ask... "What's exciting about it?" What's exciting about breathing for example. ...[I]f you stop breathing, you are no longer. ...You're aware of breathing sometimes. It's not that you're completely unconcsiously invisible, but you don't ask that question. What's exciting about... living itself? Of course there are ups and downs. There are dramas in life, but people don't live because it's exciting. People live because it's natural for them and because that's what they want to do, despite everything sometimes, or in some lucky cases, because of some things. ...But people live because it's a basic and natural way of existing as humans, as indeed, biological creatures... [S]cientists, when they are unhampered and unencumbered by those dictates of sociology... where you have to publish in certain ways because you want to enhance your career, because you want to achieve some status, because you want to... ensure you have a certain standard of living and so on. If they are doing science where they do science because, almost, they have to, because that's their existence... If I lost my job... I have to be able to live somehow, but let's assume that I have some kind of income, and I have to move to and live in isolation. I think after... the initial period of being really depressed... "Why am I stuck here?" and so on, I think I'd end up doing science, because that's... who I am.