When I write, I disturb. When I show a film, I disturb. When I exhibit my painting, I disturb, and I disturb if I don't. I have a knack for disturbin… - Jean Cocteau

I would like to be able to convey to you the sound of dead voices, to break open this unbearable tomb of sound, to wrest something more than silhouettes from vanished years and by some unimaginable trick let you hear the ha-ha-ha with which Catulle Mendès accompanied the slightest sentence, the muffled voice of Edmond Rostand or the laughter which Proust smeared over his face with his white-gloved hand and his beard.

"A child's reaction to this type of calamity is twofold and extreme. Not knowing how deeply, powerfully, life drops anchor into its vast sources of recuperation, he is bound to envisage, at once, the very worst; yet at the same time, because of his inability to imagine death, the worst remains totally unreal to him. Gerard went on repeating: "Paul's dying; Paul's going to die"' but he did not believe it. Paul's death would be part of the dream, a dream of snow, of journeying forever."

Such is the role of poetry. It unveils, in the strict sense of the word. It lays bare, under a light which shakes off torpor, the surprising things which surround us and which our senses record mechanically.