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Into such a universe we have stumbled, if not exactly by mistake, at least as the result of what may properly be described as an accident. The use of such a word need not imply any surprise that our earth exists, for accidents will happen, and if the universe goes on for long enough, enough, every conceivable accident is likely to happen in time. It was, I think, Huxley who said that six monkeys, set to strum unintelligently on typewriters for millions of millions of years, would be bound in time to write all the books in the British Museum. If we examined the last page which a particular monkey had typed, and found that it had chanced, in its blind strumming, to type a Shakespeare sonnet, we should rightly regard the occurrence as a remarkable accident, but if we looked through all the millions of pages the monkeys had turned off in untold millions of years, we might be sure of finding a Shakespeare sonnet somewhere amongst thein, the product of the blind play of chance. In the same way, millions of millions of stars wandering blindly through space for millions of millions of years are bound to meet with every kind of accident; a limited number are bound to meet with that special kind of accident which calls planetary systems into being.
Chance as a theme and as method. A method of allowing something objective to come into being; a theme for creating a simile (picture) of our survival strategy:
(1) The living method, which not only processes conditions, qualities and events as they chance to happen, but exists solely as that non-static 'process', and in no other way.
(2) Ideological: denial of the planning, the opinion and the world-view whereby social projects, and subsequently 'big pictures', are created. So what I have often seen as a deficiency on my part – the fact that I've never been in a position to 'form a picture' of something – is not incapacity at all but an instinctive effort to get at a more modern truth: one that we are already living out in our lives (life is not what is said but the saying of it, not the picture but the picturing).
Here we are at the antipode of automatism [invention from Surrealism] and mechanism, and no less distant from the cunning way of reason. In the action of the machine, in which everything is repeated and predetermined, accident is an abrupt negation.. .. [the] excess of ink flowing capriciously in thin black rivulets.. ..this line deflected by a sudden jar, this drop of water diluting a contour – all these are the sudden invasion of the unexpected in a world where it has a right to its proper place. [Motherwell is quoting here the comments of w:Henri Focillon on Japanese legends of 'accidentalism']
And I saw that truly nothing happens by accident or luck, but everything by God's wise providence. If it seems to be accident or luck from our point of view, our blindness and lack of foreknowledge is the cause; for matters that have been in God's foreseeing wisdom since before time began befall us suddenly, all unawares; and so in our blindness and ignorance we say that this is accident or luck, but to our Lord God it is not so.
Everyone has stories of the small coincidence by which their parents met or their grandmother was saved from fire or their grandfather from the grenade, of the choice made by the most whimsical means that led to everything else, whether you're blessed or cursed or both. Trace it back far enough and this very moment in your life becomes a rare species, the result of a strange evolution, a butterfly that should already be extinct and survives by the inexplicabilities we call coincidence. The word is often used to mean the accidental but literally means to fall together. The patterns of our lives come from those things that do not drift apart but move together for a little while, like dancers.
This life, my dear bird, consists of a haphazard sequence of accidental meetings and partings, very few of which can ever be anticipated, avoided or fully understood. The element of sheer Chance, my friend, conflicting as it does with the first principles of Causation, denies any premeditated plan on the part of Destiny. Destiny, therefore, may only be defined as the sum total of one’s accumulated experiences, which are themselves accidental and purposeless. ‘Purpose,’ you deduce from this, is an interpretation imposed upon a sequence of events after the fact.”
To give a relatively common example, we might consider the plot of a traffic accident, an event that is commonly experienced as dreamlike in the beginning, as you find yourself suddenly moving along a track of time quite different from the one you knew before the accident began. You may be traveling along slippery roads and then, without warning, find yourself sliding across several lanes of oncoming traffic. You know in principle that such things can easily happen. They may even have happened to you on a prior occasion. You know that they happen to other people all the time. Nevertheless, this accident was not in your plans, which is why it is called an accident. It seems like a mistake, even if it could be explained by a cause-and-effect confluence of circumstances. It was a mistake because you had an idea of how things were supposed to be that day, as you do every day, and spinning helplessly in your car while others try to avoid a collision with you, perhaps unsuccessfully, was not part of your schedule. One moment you had a firm grip on things; the next moment you are careening toward who knows where. You are not filled with horror, not yet at least, as you spin along the pavement that is slick with rain or snow. At this point, everything is all strangeness. You have been taken to a different place from where you were, and you are no longer in control. Anything could happen now. That is the suspicion that creeps into your thoughts as a nightmare begins. Nothing is safe and nothing is off limits. All of a sudden something was set into motion that changed everything into that which was not meant to be, at least according to your deluded conception of your life and its “meaningful” trajectory. Yet these things happen, as everyone knows. They have always happened and are always happening.
I have received a question I have expected, 'Don't you deal with accidents?' Yes, I deal with accidents, just as Arp admits it all the time. And I admit it, too. But I like to have them under my command and not sign them because they are accidents. If it remains only accident then sign it 'accident' or 'fate' or 'the Lord', whatever you prefer. It's not you because you have not visioned it. You see visual formulation deals with vision, visual information and visual reaction. So I speak differently from all those who deliver themselves to uncontrolled accidents.
"Still, the idea of chance in markets is difficult to grasp, perhaps because, unlike the anonymous particles in a magnet or molecules in a gas, the millions of people who buy and sell securities are real individuals, complex and familiar. But to say the record of their transactions, the price chart, can be described by random processes is not to say the chart is irrational or haphazard; rather, it is to say it is unpredictable. Again, word derivations are helpful. The English phrase "at random" adapts a medieval French phrase, a randon. It denoted a horse moving headlong, with a wild motion that the rider could neither predict nor control. Another example: In Basque, "chance" is translated as zoria, a derivative of zhar, or bird. The flight of a bird, like the whim of a horse, cannot be predicted or controlled."
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