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" "It was simply that they were grave, distant, intent upon something that she could not see. Their eyes were held upon some vision out of range, something away in the end of distance, some reality that she did not know, or even suspect. What was it that they saw? Probably they saw nothing after all, nothing at all. But then that was the trick, wasn’t it? To see nothing at all, nothing in the absolute. To see beyond the landscape, beyond every shape and shadow and color, that was to see nothing. That was to be free and finished, complete, spiritual. To see nothing slowly and by degrees, at last; to see first the pure, bright colors of near things, then all pollutions of color, all things blended and vague and dim in the distance, to see finally beyond the clouds and the pale wash of the sky — the none and nothing beyond that. To say “beyond the mountain,” and to mean it, to mean, simply, beyond everything for which the mountain stands, of which it signifies the being. Somewhere, if only she could see it, there was neither nothing nor anything. And there, just there, that was the last reality. Even so, in the same attitude of non-being, Abel had cut the wood. She had not seen into his eyes until it was too late, until they had returned upon everything.
N. Scott Momaday (February 27, 1934 – January 24, 2024) was a Kiowa novelist, short story writer, essayist and poet. His novel House Made of Dawn was awarded the Pulitzer Prize for Fiction in 1969, and is considered the first major work of the Native American Renaissance. His follow-up work The Way to Rainy Mountain blended folklore with memoir. Momaday received the National Medal of Arts in 2007 for his work's celebration and preservation of indigenous oral and art traditions. He held twenty honorary degrees from colleges and universities and was a fellow of the American Academy of Arts and Sciences.
Biography information from Wikiquote
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The dullimer is... one of two known to exist, the second... unearthed... at Coatepec in 1958... Mine is... the better example of the armorer's art, especially with respect to the amulet, a leather bracelet to which the dullimer can be affixed and... activated with remarkable dispatch... used, according to oral tradition, to fell even the great beasts of the jungle. ...[O]ne day I laid the dullimer to rest once and for all. I had a dream in which it seemed to me that I could decipher the ancient markings on the amulet:
I, Chopetl, am grown weary of war;
I have been deadly even to the gods.
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