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" "every writer – or every person that aspires to write – has to become a reader. There’s nothing more beautiful than engaging with a novel, a poem, or an essay. You should not write for others, you should write from the point of authenticity, from your own self, from what you know. You hope that others will be enriched by your writing, but you don’t write for financial reward, recognition, or hitting the “best-seller” list. If you are worried about these things, you’re a different writer, not so much committed to what I think really matters, which is to capture your own voice, to release it and to share it. The most important, what we all struggle with, but is essential, is to be ourselves. As writers, as humans, as friends – to be ourselves.
Marjorie Agosín (born June 15, 1955) is a Chilean-American writer.
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These narrators show that written history contains the lyricism of poetry and the rational insanity of passion. They teach us that History and these smaller histories spring from an intimate, delicate conscience where memory attempts not only to preserve the great events of History such as wars, conquests, and triumphs, but also in the daily history that is created in a park, in the depths of the ocean, or in the ancient icon of the family.
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For me, my exile had nothing to do with an expulsion or with the impossibility of remembrance, because somehow or other one always returns. Dictators perish and borders change. However, the desire endures. The desire for a fragrance or for the way in which certain vines cling to doorways. The desire to wake up and recognize oneself in one's own language but more than anything to be recognized by others.