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If female liberation is to happen, if the reservoir of real female love is to be tapped, this sterile self-deception must be counteracted. The only literary form which could outsell romantic trash on the female market is hard-core pornography.

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…Feminine literature is much more subversive than the literature of the men because women often dare to delve into prohibited areas bordering the irrational and the mad, areas dealing with love and death, areas which in our rational, productive, and utilitarian society become dangerous when one acknowledges their existence.

Romantic love, in pornography as in life, is the mythic celebration of female negation. For a woman, love is defined as her willingness to submit to her own annihilation.... The proof of love is that she is willing to be destroyed by the one whom she loves, for his sake. For the woman, love is always self-sacrifice, the sacrifice of identity, will, and bodily integrity, in order to fulfill and redeem the masculinity of her lover.

The liberation of women is conceived as the desire of women to reduce men to housekeepers. Since most men despise manual work for feudal and middle class reasons, women’s liberation is feared as an effort by women to ‘feminise’ men, that is, degrade them.

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In choosing to fight for women’s liberation it is not enough, either, to explain it only in general terms of “the system.” For the system oppresses many groups in many ways. Women must learn that the specific methods used to keep her oppressed is to convince her that she is at all times secondary to man, and that her life is defined in terms of him. We cannot speak of liberating ourselves until we free ourselves from this myth and accept ourselves as primary.

The master-slave relationship is the most popular fantasy perversion in the literature of pornography. The image of a scantly clothed slave girl, always nubile, always beautiful, always docile, who sinks to her knees gracefully and dutifully before her master, who stands with or without boots, with or without whip, is commonly accepted as a scene of titillating sexuality. From the slave harems of the Orient potentate, celebrated in poetry and dance, to the breathless description of light-skinned fancy women, de rigeur in [[a particular genre of pulp historical fiction, the glorification of forced sex under slavery, institutional rape, has been a part of our cultural heritage, feeding the egos of men while subverting the egos of women- and doing irreparable damaage to the healthy sexual process. The very word "slave girl" impart to many a vision of voluptuous sexuality redolent of perfumes gardens and soft music strummed on a lyre. Such is the legacy of male-controlled sexuality under which we struggle.

(Women's Liberation) ... is an ontological, spiritual revolution, pointing beyond the idolatries of sexist society and sparking creative action in and toward transcendence. The becoming of women implies universal human becoming. It has everything to do with the search for ultimate meaning and reality which some would call God. p. 6

In some respects the use of sexual obsessions as a subject for literature resembles the use of a literary subject whose validity for fewer people would contest: religious obsessions. So compared, the familiar fact of pornography’s definite, aggressive impact upon its readers looks somewhat different. Its celebrated intention of sexually stimulating readers is really a species of proselytizing. Pornography that is serious literature aims to “excite” in the same way that books which render an extreme form of religious experience aim to “convert.”

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