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" "Sadly, it’s easy for publishers to fall into the trap of publishing texts that spread hastily formed impressions of a country and its people and unquestioningly recirculate damaging stereotypes. In that regard, books that abound in superficial references to vodou and pile up images of violence and deprivation seem to attract some editors, conveniently reinforcing their narrow perception of the Haitian reality. It takes a conscious commitment to diversify the array of translated books and to include non-Anglophone Black authors without trying to confine them to pigeonholes.
Évelyne Trouillot (born January 2, 1954) is an author and professor who lives in Haiti. She writes in French and Creole.
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Writing can be both a task of memory, or homage, and simply a hand held out, the offer to share a sadness that’s too heavy to bear alone. To continue working and try to make a difference constitutes both an obligation and a renewal. This does not mean that writers cannot intervene in other ways, but for me writing helps me sort out my thoughts and feelings, and at the same time, I think I can have some impact on people’s minds.
"when a house falls down, you don't accuse the window of not closing properly!"..."Never explain to a man being whipped how to avoid blows. Every one learns to protect the body part most sensitive to him, his most vital part. You'll see all sorts of ruses that we slaves invent to try to survive this horror. Some will seem ridiculous, others barbaric, but who can really judge? A human being will do whatever he needs to do to make sure the breath that fills his voice belongs to him. It's his right." (p42-3)
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These words come back to remind me that I am a slave, and it is in this truth that my strength lies. Whether a field slave or a house slave, man, woman, or child, the slave is a creature who has lost his soul between the mill and the sugarcane, between the ship's hold and its steerage, between the crinoline and the slap in the face. Shame stains our every gesture. When we place our feet, undeserving of shoes, on the ground, when we let our exhausted bodies fall on cornhusk mattresses, and when we swing the bamboo fans, we crush our souls under the weight of our shame. Only our gestures of revolt truly belong to us. (p62)