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" "As in the past, the next generation's secularism will not be monolithic, but will express itself in a variety of forms, espousing different politics, different interpretations of Judaism, different conceptions of our relationship to other Jewish communities, including Israel. This secularism will only develop, however, if we are able to pick up the threads of a heritage we are now only dimly aware of. We will guarantee another generation a Jewish future if we educate ourselves about the history of Jews, ancient and modern, about Jewish literature-probably in translation from Ladino, Yiddish, Hebrew and all the languages in which secular Jews and observant Jews wrote. We need to know how Jews were politically active in other societies, how they fought for the general as well as for their own good. This knowledge will help establish a secular Jewish calendar of Jewish traditional, historical, and cultural dates around which we can structure our lives and will become the content for the Jewish secularism we want to preserve. Once we have internalized this Jewish content, we can begin to describe our pleasure and rootedness in our culture and history through new poetry, theater, fiction, music, and other arts. And only then will our political commitments, including the two states-Jewish and Palestinian-have a context which allows us to struggle for the right of Palestinians without depleting ourselves, without giving into despair.
Irena Klepfisz (born April 17, 1941) is a Jewish lesbian feminist author, poet, academic and activist living in the US.
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From the age of twenty, my ego has been invested in poetry. For me, the prospect of expression through poetry transforms solitary silence and an empty page into sheer pleasure. I feel unafraid, knowing I can break all the rules, invent my own forms. No matter what persona I take on, my voice remains accessible and recognizable. There is no artifice, no pose, no sense that I have to transform myself into someone else. As a poet, I remain comfortably disrespectful. I experiment, take risks which sometimes work and sometimes don't. For years I have had no such courage in essay writing. It has seemed an iron-clad genre that I could neither escape nor fit into.
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