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A ritual is the enactment of a myth. And, by participating in the ritual, you are participating in the myth. And since myth is a projection of the depth wisdom of the psyche, by participating in a ritual, participating in the myth, you are being, as it were, put in accord with that wisdom, which is the wisdom that is inherent within you anyhow. Your consciousness is being re-minded of the wisdom of your own life. I think ritual is terribly important.
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Ritual provides coherence and significance to traditional narrative as it does to traditional life. Ritual can be defined as a procedure whose purpose is to transform someone or something from one condition or state to another. While most rituals are related in some way to communitas, not all have social relationship and communication as their purpose. Their communitarian aspect derives simply from the nature of the tribal community, which is assumed to be intact as long as the ritual or sacred center of the community is intact. [...] It is not so much an idea of community as it is a tangible object seen as possessing nonrational powers to unite or bind diverse elements into a community, a psychic and spiritual whole. Thus a healing ritual changes a person from an isolated (diseased) state to one of incorporation (health); a solstice ritual turns the sun’s path from a northerly direction to a southerly one or vice versa; a hunting ritual turns the hunted animal’s thoughts away from the individual consciousness of physical life to total immersion in collective consciousness. In tribal traditions beings such as certain people and beasts, the sun, the earth, and sacred plants like corn are in a constant state of transformation, and that transformative process engenders the ritual cycle of dying, birth, growth, ripening, dying, and rebirth. In the transformation from one state to another, the prior state or condition must cease to exist. It must die.
Religious ritual survives cultural transmission by embedding episodes of intense, life-defining personal experiences in public performances. These performances involve sequential, socially interactive movement and gesture (chant, dance, murmur, sway) and formulaic utterances that rhythmically synchronize affective states among group members in displays of cooperative commitment. This is often accompanied by sensory pageantry, which further helps to emotionally validate and sustain the moral consensus.
Masquerades disclose the reality of souls. As long as no one sees who we are, we can tell the most intimate details of our life. I sometimes muse over this sketch of a story about a man afflicted by one of those personal tragedies born of extreme shyness who one day, while wearing a mask I don't know where, told another mask all the most personal, most secret, most unthinkable things that could be told about his tragic and serene life. And since no outward detail would give him away, he having disguised even his voice, and since he didn't take careful note of whoever had listened to him, he could enjoy the ample sensation of knowing that somewhere in the world there was someone who knew him as not even his closest and finest friend did. When he walked down the street he would ask himself if this person, or that one, or that person over there might not be the one to whom he'd once, wearing a mask, told his most private life. Thus would be born in him a new interest in each person, since each person might be his only, unknown confidant.
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