one period's necessary strategies can mutate into the monsters of a later time. - Adrienne Rich

(What do you think when you look around this festival and you see Japanese American poets, Chinese American poets, Puerto Rican poets, poets from the white working class?) I feel enormous joy and exhilaration. This is so different from the poetry world into which I was growing up in the 1940s and 1950s. That was a world dominated by a few major figures, mostly from a certain class and of course male: Pound, Williams, Eliot, Stevens. I was saying to a young man, a poet working here, "Your generation doesn't have to look at the field of poetry as a hierarchy. You can draw from this enormously rich cluster of poetries, and you can enrich yourself from so many kinds that this is a wholly different situation than we had in the 1940s and 1950s."

Patriarchy is no more an abstraction than imperialism is, once you have tasted it in your mouth, felt it across your flesh. ("North American Tunnel Vision" 1983)

We don't shed racism or sexism because we're in a liberation movement unless we struggle hard to try to create bridges, to find out where our common base is, to become educated in each other's realities, to search for and document the mistakes of the past so we can stop making them. I'm thinking particularly of the history of the nineteenth-century white suffrage movement, the early North American feminist movement, its visions, and its racist stances, despite its roots in the Abolitionist movement.