I'm not a writer who works off an outline. I don't do file cards. Some writers know where they're going when they sit down to write a novel. I know t… - Jessica Hagedorn

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I'm not a writer who works off an outline. I don't do file cards. Some writers know where they're going when they sit down to write a novel. I know there are certain things I want to include, but I'm character driven and if the characters keep moving and living and growing on me, the story unfolds. It's like a puzzle which starts falling into place. But I never know where I'm going when I start.

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About Jessica Hagedorn

Jessica Tarahata Hagedorn (born 1949) is a Filipino playwright, writer, poet, and multimedia performance artist.

Also Known As

Alternative Names: Jessica Tarahata Hagedorn
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Additional quotes by Jessica Hagedorn

What made me want to write a novel was reading One Hundred Years of Solitude, by Garcia Marquez. I was turned on to that by a friend from Mexico who gave me the book. It was like Holy Communion or something. I said, "Yes!" Here is a novel that reads so lyrically and so poetically, and yet is a novel. It's a wonderful story. You want to know what happens to these people. And at the same time I saw the connection for me. It was like the Philippines was something I was carrying around and I didn't know what art form it would take to convey the story I wanted to tell, and I read that book and said, "That's it. One day I'm gonna do it."

Defiant, naive, and passionate, we are sprouting up all over the Bay Area-artists of color who write, perform, and collaborate with each other, borders be damned. We are muralistas, filmmakers, musicians, dancers, painters, printmakers, small press publishers, playwrights, poets, and more poets. . . . San Francisco seems to be more a city of poets and musicians than anything else. Rock 'n' roll, R&B, the funk mystique of Oakland, the abstract seduction of jazz, and the glorious rants and chants of loup garous, gypsies, sympathetic cowboys, and water buffalo shamans: Al Robles, Ishmael Reed, Norman Jayo, Ntozake Shange, Victor Hernandez Cruz, Janice Mirikitani, Thulani Davis, David Henderson, Alejandro Murguia, Ed Dom, Alta, Serafin and Lou Syquia, Kitty Tsui, and on and on.... They are my teachers and peers, kindred spirits, borders be damned. A movement is afoot to assert ourselves as artists and thinkers, to celebrate our individual histories, our rich and complicated ethnicities.

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When I was a young activist writer in the Bay Area, I thought I had all the answers. Sometimes I was right, and a lot of times I was just plain ignorant and wrong. There were a few positive things that came from my impatience, energy and anger: I dared to do things with my artistic comrades that hadn’t been done before. We came together in writing collectives to make books because most writers of color were not being published at the time. We didn’t know how to publish, but we learned how to do it guerrilla-style. We organized readings, performances and concerts, made posters and came out to support each other big-time. We brought the noise. And got it done. It all boils down to that old cliche: believe in yourself. Trust in your creative vision and the power of your distinct writer’s voice. (2022)

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