This is a very big story of our times, of people having to reconstruct and remake their lives away from their places of origin. And there are many di… - Abdulrazak Gurnah

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This is a very big story of our times, of people having to reconstruct and remake their lives away from their places of origin. And there are many different dimensions to it. What do they remember? And how do they cope with what they remember? How do they cope with what they find? Or, indeed, how are they received?

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About Abdulrazak Gurnah

Abdulrazak Gurnah (born 20 December 1948) is a Tanzanian-born British novelist and academic. He was born in the Sultanate of Zanzibar and moved to the United Kingdom in the 1960s as a refugee during the Zanzibar Revolution. His novels include Paradise (1994), which was shortlisted for both the Booker and the Whitbread Prize; By the Sea (2001), which was longlisted for the Booker and shortlisted for the Los Angeles Times Book Prize; and Desertion (2005), shortlisted for the Commonwealth Writers' Prize. Gurnah was awarded the 2021 Nobel Prize in Literature "for his uncompromising and compassionate penetration of the effects of colonialism and the fates of the refugee in the gulf between cultures and continents". He is Emeritus Professor of English and Postcolonial Literatures at the University of Kent.

Also Known As

Native Name: عبد الرزاق سالم قرنح
Alternative Names: Gurnah Abdulrazak S. Gurnah Abdul Razzaq Gurnah Abd al-Razzaq Journa
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It seems to me that fiction is the bridge between these things, the bridge between this immense scholarship and that kind of popular perception. So you can read about these matters as fiction. And I hope that the reaction then is to say, 'I didn't know that' and possibly for the reader, 'I must go and read something about that.'

What inspires me to write, is to be able to speak truthfully about what I see and the things that concern me. So it’s not just my eyes are open and therefore, whatever strikes my eye I want to write about it, but there are these concerns about… for example I’m very interested in the way people can retrieve something from trauma, so I’m thinking not only of asylum seekers or refugees, but also of life, of the way people in life are able to get something out of mischance, out of traumatic events. I’ve always been interested in the way families work, particularly the way both power and kindness go along together. Of course, most families love each other, but at the same time there are, what seem like power struggles going on within families. I’m interested in writing about that and the complexity of that and how out of kindness a kind of a sort of unkindness comes as well – requiring obedience that you don’t shame us by doing this, or by doing that. Particularly, I’m thinking of the way women are treated, in our culture anyway, and in many other cultures. Those are the kinds of things that make me want to write. Things that, as I say, my sense of this needs to be spoken about. I need to say something about this. And of course also the other thing that makes me want to write is to create something which is beautiful and pleasurable.

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Literature performs different functions of course. Literature also engages us because we take pleasure in it, a kind of complicated pleasure. It depends what you read, of course. But I think at its best literature does that as well as it brings news, tells you things or maybe challenges simplifications that you’ve lived happily with, makes things more difficult for you in that respect. So I see all of those complicated functions. To learn, to enjoy and perhaps also to be challenged, although, that depends on the degree to which you are open to challenges. People can be very difficult in resisting challenges.

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