He was too old to be afraid. His acknowledgment of the unknown was nothing more than a dull, intrinsic sadness, a vague desire to weep, for evil had … - N. Scott Momaday

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He was too old to be afraid. His acknowledgment of the unknown was nothing more than a dull, intrinsic sadness, a vague desire to weep, for evil had long since found him out and knew who he was.

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About N. Scott Momaday

N. Scott Momaday (February 27, 1934 – January 24, 2024) was a Kiowa novelist, short story writer, essayist and poet. His novel House Made of Dawn was awarded the Pulitzer Prize for Fiction in 1969, and is considered the first major work of the Native American Renaissance. His follow-up work The Way to Rainy Mountain blended folklore with memoir. Momaday received the National Medal of Arts in 2007 for his work's celebration and preservation of indigenous oral and art traditions. He held twenty honorary degrees from colleges and universities and was a fellow of the American Academy of Arts and Sciences.

Biography information from Wikiquote

Also Known As

Birth Name: Navarre Scott Momaday
Alternative Names: Navarre Scott Mammedaty Tsoai-talee Rock Tree Boy
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In the land is made of many colors. When I was a boy I rode out over the red and yellow and purple earth to the west of Jemez Pueblo. ...I came to know that country... truly and intimately, in every season, from a thousand points of view. I know the living sound motion of a horse and the sound of hooves. I know what it is, on a hot day in August or September, to ride into a bank of cold, fresh rain.

YAHWEH
A story in which there is not the realization of grace is but a shadow, a shell, a thing without substance. Grace is the substance of story, albeit invisible and remote. Grace is the soul of story. ...Or perhaps a mask behind which there is no presence. ...only silence, a perfect stillness.

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East of my grandmother's house the sun rises out of the plain. Once in his life a man ought to concentrate his mind upon remembered earth, I believe. He ought to give himself up to a particular landscape in his experience, to look at it from as many angles as he can, to wonder about it, to dwell upon it. He ought to imagine that he touches it with his hands at every season and listens to the sounds that are made upon it. He ought to imagine the creatures there and all the faintest motions of the wind. He ought to recollect the glare of noon and all the colors of the dawn and dusk.

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