"Amor, ch'al cor gentile ratto s'apprende prese costui de la bella persona che mi fu tolta; e 'l modo ancor m'offende. Amor, che a nullo amato amar … - Dante Alighieri

"Amor, ch'al cor gentile ratto s'apprende
prese costui de la bella persona
che mi fu tolta; e 'l modo ancor m'offende.

Amor, che a nullo amato amar perdona,
Mi prese del costui piacer sì forte,
Che, come vedi, ancor non m'abbandona..."

"Love, which quickly arrests the gentle heart,
Seized him with my beautiful form
That was taken from me, in a manner which still grieves me.

Love, which pardons no beloved from loving,
took me so strongly with delight in him
That, as you see, it still abandons me not..."

Italian
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About Dante Alighieri

Dante Alighieri (c. 30 May 1265 – 13 September 1321), most likely baptized Durante di Alighiero degli Alighieri, was an Italian poet, writer and philosopher. His Divine Comedy, originally called Comedìa (modern Italian: Commedia) and later christened Divina by Giovanni Boccaccio, is widely considered one of the most important poems of the Middle Ages and the greatest literary work in the Italian language.

Biography information from Wikiquote

Also Known As

Alternative Names: Dante Durante degli Alighieri Durante di Alighiero degli Alighieri
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Additional quotes by Dante Alighieri

"The broken branch hissed loudly, and then that
wind was converted into these words: "Briefly will
you be answered.
When the fierce soul departs from the body from
which it has uprooted itself, Minos sends it to the
seventh mouth.
It falls into the wood, and no place is assigned to
it, but where chance hurls it, there it sprouts like a
grain of spelt.
It grows into a shoot, then a woody plant; the
Harpies, feeding on its leaves, give it pain and a
window for the pain.
Like the others, we will come for our remains, but
not so that any may put them on again, for it is not
just to have what one has taken from oneself.
Here we will drag them, and through the sad
wood our corpses will hang, each on the thornbrush
of the soul that harmed it.

As soon as that majestic force,
which had already pierced me once
before I had outgrown my childhood, struck my eyes,

I turned to my left with the confidence
a child has running to his mamma
when he is afraid or in distress

to say to Virgil: 'Not a single drop of blood
remains in me that does not tremble — I know the signs of the ancient flame.'

But Virgil had departed, leaving us bereft:
Virgil, sweetest of fathers,
Virgil, to whom I gave myself for my salvation.

And not all our ancient mother lost
could save my cheeks, washed in the dew,
from being stained again with tears.

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