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Ireland has produced in Dean Swift perhaps the greatest satirist in the English language; in Edmund Burke probably the greatest writer on politics; in William Carleton a novelist of the first rank; in Oliver Goldsmith a poet of rare merit. Henry Grattan was one of the most eloquent orators of his time—the golden age of oratory in the English language. Theobald Wolfe Tone has left us one of the most delightful autobiographies in literature. Several recent or still living Irish novelists and poets have produced work which is likely to stand the test of time.

In this day, if Ireland is faithful to her mission, and, please God, she will be, if as of old she recalls men to forgotten truths, if she places before them the ideals of justice, of order, of freedom rightly used, of Christian brotherhood—then, indeed, she can do the world a service as great as that which she rendered in the time of Columcille and Columbanus, because the need of our time is in no wise less.

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Of course I wrote most of the Constitution myself. I remember hesitating for a long time over the US presidential system. But it wouldn't have done — we were too trained in English democracy to sit down under a dictatorship which is what the American system really is.

No matter what the future may hold for the Irish nation, the seven years — 1916 to 1923 — must ever remain a period of absorbing interest. Not for over two hundred years has there been such a period of intense and sustained effort to regain the national sovereignty and independence. Over the greater part of the period it was the effort of, one might say, the entire nation. An overwhelming majority of the people of this island combined voluntarily during those years in pursuit of a common purpose.

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Ministers not responsible to parliament — that would never do. Besides, I wanted to prepare a nice quiet job without too much work for my old age. Still, I admit, I was tempted. Look at the way de Gaulle rules France … absolute rule … very efficient.

The ideal Ireland that we would have, the Ireland that we dreamed of, would be the home of a people who valued material wealth only as a basis for right living, of a people who, satisfied with frugal comfort, devoted their leisure to the things of the spirit – a land whose countryside would be bright with cosy homesteads, whose fields and villages would be joyous with the sounds of industry, with the romping of sturdy children, the contest of athletic youths and the laughter of happy maidens, whose firesides would be forums for the wisdom of serene old age. The home, in short, of a people living the life that God desires that men should live. With the tidings that make such an Ireland possible, St. Patrick came to our ancestors fifteen hundred years ago promising happiness here no less than happiness hereafter. It was the pursuit of such an Ireland that later made our country worthy to be called the island of saints and scholars. It was the idea of such an Ireland - happy, vigorous, spiritual - that fired the imagination of our poets; that made successive generations of patriotic men give their lives to win religious and political liberty; and that will urge men in our own and future generations to die, if need be, so that these liberties may be preserved. One hundred years ago, the Young Irelanders, by holding up the vision of such an Ireland before the people, inspired and moved them spiritually as our people had hardly been moved since the Golden Age of Irish civilisation. Fifty years later, the founders of the Gaelic League similarly inspired and moved the people of their day. So, later, did the leaders of the Irish Volunteers. We of this time, if we have the will and active enthusiasm, have the opportunity to inspire and move our generation in like manner. We can do so by keeping this thought of a noble future for our country constantly before our eyes, ever seeking in action to bring that future into being, and ever remembering that it is for our nation as a whole that future must be sought.

Ireland's music is of a singular beauty. Based on pentatonic scale its melodies reach back to a period anterior to the dawn of musical history. It stands pre-eminent amongst the music of the Celtic nations. It is characterised by perfection of form and variety of melodic content. It is particularly rich in tunes that imply exquisite sensitiveness. The strange fitfulness of the lamentations and love songs, the transition from gladness to pathos, have thrilled the experts, and made them proclaim our music the most varied and the most poetical in the world. Equal in rhythmic variety are our dance tunes—spirited and energetic in keeping with the temperament of our people.