Abena Busia Quotes

Thank you! That’s a wonderful concluding statement. As always, moti-vating us to be inspirational and think about our own lives. On that note, I would like to thank all of you who are out there in different parts of the world, those of you who are in this room, for being here. This has been a privilege.

I came to the United States of America conscious of my African-ness, conscious of my blackness, I became conscious of women studies and became a feminist.

For some of us, she is a person who is a trailblazer and a visionary who has helped put Black women writers – particularly those writing out of Britain – on the map. She is visionary, she is feisty, and she has an acute sense of the politics of being and the politics of representation. Yet in all of that, her wit and her wisdom have brought to consciousness the place of those of us Black people of African descent growing up in England – the way we negotiate our identities, the way we negotiate the politics of space, the way we interact intergenerationally and between ourselves [which] has been, for some of us, the food of life.

Violence is both visible and invisible.

And that’s important. I do want us to turn to your own writing, but I have to acknowledge that it is characteristic of you not only that you have been an activist but that you always acknowledge the people that you’ve been working with, and the importance of a collective voice and solidarity has always been part of your work which some of us really appreciate. I’m going to extrapolate something from that, that may or may not be true, and that is: I see that collec-tivity actually in the structure of your novels.

Always, always, always uplifting to see and hear you, Bernardine. It matters to some of us that you are out there in the world, so keep on your journey, and thank you so much.

Yes, and we will come back to that and the matter of your hidden histories. But I now want to ask a question about something that not many people think and talk about. And that is, what is a catholic grasp, if you like, of the place of Black writers in British society? I had the privilege of hearing you speak, five years ago, at [the] African Literature Association conference in Germany and I remember being struck by your keynote speech, about the way you could so clearly map the progress of Black writing, the recognition of Black writing and the issues that Black writers had taken on in the public space: naming the challenges and difficulties you face in the sense of not just what you wrote but that you wrote at all, that you existed at all. And I was wondering if you could share a little bit of that activist part of the collectivity before we return to the question of your personal creativity.

Hello everybody and thank you for joining us, wherever in the world you’re joining us from. My name is Abena Busia. I am a Ghanaian, very proud to be so, a Ghanaian writer and poet, and currently Ghana’s ambassador to Brazil. I am very, very honoured today, however, to be part of this festival and to interview a friend of mine, an extraordinary woman herself who today is best known for co-winning the 2019 Booker Prize with her eighth book, Girl,Woman, Other, making her the first Black woman to win it. But for some of us, her reputation preceded that.

You cannot know how long we cried until we laughed over the broken pieces of our dreams.

The idea of family however conceived is at the root of old family structure and we leave in a world were those family structure are in the end the basis of the legal, religious,social and state laws under which we live.

For we are not tortured anymore; we have seen beyond your lies and disguises, and we have mastered the language of words, we have mastered speech and know we have also seen ourselves raw and naked piece by piece until our flesh lies flayed with blood on our own hands.

Historically leadership and the concept has always been the top down one most of us who do leadership training we do the bottom up leadership you don't impose structure you figure out organically who the people are.

It was a good piece because it creates the atmosphere and the vision. Carole is very interesting, of course, because she is the woman of disguises. The woman who has a secret that she needs to [or] feels she needs to keep quiet about in order to negotiate. I love her mother who is like, “I am a Nigerian and so are you, and we’re not going to get past this, so let’s...” The scenes with her mother and the ways in which the mother helps her re-find herself by dealing with, who is the person that you’re going to marry. I will ask you now about the structure of this particular book and the multiple voices, the twelve different voices, all of whom are connected – some intimately, some tangentially.

Thinking through what makes a leader, how do you communicate and how do you organize yourself.

What makes a leader different is the different communication styles respecting different forms of leadership.