Aleksandr Solzhenitsyn Quotes

Sometimes the principal emotion of the person arrested is relief and even happiness! This is another aspect of human nature. It happened before the Revolution too: the Yekaterinodar schoolteacher Serdyukova, involved in the case of Aleksandr Ulyanov, felt only relief when she was arrested. But this feeling was a thousand times stronger during epidemics of arrests when all around you they were hauling in people like yourself and still had not come for you; for some reason they were taking their time. After all, that kind of exhaustion, that kind of suffering, is worse than any kind of arrest, and not only for a person of limited courage.

"The simple step of a courageous individual is not to take part in the lie. "One word of truth outweighs the world.

What's worse than cancer? Leprosy.

Many of you have already found out, and others will find out in the course of their lives, that truth eludes us if we do not concentrate our attention totally on it's pursuit. But even while it eludes us, the illusion of knowing it still lingers and leads to many misunderstandings. Also, truth seldom is pleasant; it is almost invariably bitter.

The battle line between good and evil runs through the heart of every man.

"The days rolled by in the camp — they were over before you could say "knife." But the years, they never rolled by; they never moved by a second."

By dying young, a man stays young forever in people’s memory. If he burns brightly before he dies, his light shines for all time. In his musings during the past few weeks Vadim had discovered an important and at first glance paradoxical point: a man of talent can understand and accept death more easily than a man with none — yet the former has more to lose. A man of no talent craves long life, yet Epicurus had once observed that a fool, if offered eternity, would not know what to do with it.

Let us not violate the RIGHT of the artist to express exclusively his own experiences and introspections, disregarding everything that happens in the world beyond. Let us not DEMAND of the artist, but — reproach, beg, urge and entice him — that we may be allowed to do. After all, only in part does he himself develop his talent; the greater part of it is blown into him at birth as a finished product, and the gift of talent imposes responsibility on his free will. Let us assume that the artist does not OWE anybody anything: nevertheless, it is painful to see how, by retiring into his self-made worlds or the spaces of his subjective whims, he CAN surrender the real world into the hands of men who are mercenary, if not worthless, if not insane.

"A tub was brought in to melt snow for mortar. They heard somebody saying it was twelve o'clock already.
"It's sure to be twelve," Shukhov announced. "The sun's over the top already."
"If it is," the captain retorted, "it's one o'clock, not twelve."
"How do you make that out?" Shukhov asked in surprise. "The old folk say the sun is highest at dinnertime."
"Maybe it was in their day!" the captain snapped back. "Since then it's been decreed that the sun is highest at one o'clock."
"Who decreed that?"
"The Soviet government."
The captain took off with the handbarrow, but Shukhov wasn't going to argue anyway. As if the sun would obey their decrees!"

"One day Dostoevsky threw out the enigmatic remark: "Beauty will save the world". What sort of a statement is that? For a long time I considered it mere words. How could that be possible? When in bloodthirsty history did beauty ever save anyone from anything? Ennobled, uplifted, yes - but whom has it saved?

There is, however, a certain peculiarity in the essence of beauty, a peculiarity in the status of art: namely, the convincingness of a true work of art is completely irrefutable and it forces even an opposing heart to surrender. It is possible to compose an outwardly smooth and elegant political speech, a headstrong article, a social program, or a philosophical system on the basis of both a mistake and a lie. What is hidden, what distorted, will not immediately become obvious.

Then a contradictory speech, article, program, a differently constructed philosophy rallies in opposition - and all just as elegant and smooth, and once again it works. Which is why such things are both trusted and mistrusted.

In vain to reiterate what does not reach the heart.

But a work of art bears within itself its own verification: conceptions which are devised or stretched do not stand being portrayed in images, they all come crashing down, appear sickly and pale, convince no one. But those works of art which have scooped up the truth and presented it to us as a living force - they take hold of us, compel us, and nobody ever, not even in ages to come, will appear to refute them.

So perhaps that ancient trinity of Truth, Goodness and Beauty is not simply an empty, faded formula as we thought in the days of our self-confident, materialistic youth? If the tops of these three trees converge, as the scholars maintained, but the too blatant, too direct stems of Truth and Goodness are crushed, cut down, not allowed through - then perhaps the fantastic, unpredictable, unexpected stems of Beauty will push through and soar to that very same place, and in so doing will fulfil the wor

Look around you — there are people around you. Maybe you will remember one of them all your life and later eat your heart out because you didn't make use of the opportunity to ask him questions. And the less you talk, the more you'll hear. Thin strands of human lives stretch from island to island of the Archipelago. They intertwine, touch one another for one night only in just such a clickety-clacking half-dark car as this and then separate once and for all. Put your ear to their quiet humming and the steady clickety-clack beneath the car. After all, it is the spinning wheel of life that is clicking and clacking away there.

Blow the dust off the clock. Your watches are behind the times. Throw open the heavy curtains which are so dear to you — you do not even suspect that the day has already dawned outside.

Call no day happy 'til it is done; call no man happy til he is dead.

Destructive and irresponsible freedom has been granted boundless space. Society appears to have little defense against the abyss of human decadence, such as, for example, misuse of liberty for moral violence against young people, motion pictures full of pornography, crime and horror. It is considered to be part of freedom and theoretically counter-balanced by the young people's right not to look or not to accept. Life organized legalistically has thus shown its inability to defend itself against the corrosion of evil.

You only have power over people so long as you don’t take everything away from them. But when you’ve robbed a man of everything he’s no longer in your power — he’s free again.