Art affirms all that is best in man — hope, faith, love, beauty, prayer…What he dreams of and what he hopes for…What is art?…Like a declaration of love: the consciousness of our dependence on each other. A confession. An unconscious act that none the less reflects the true meaning of life — love and sacrifice.
Soviet and Russian film director, screenwriter, film editor, film theorist, theatre and opera director (1932–1986)
Andrei Arsenyevich Tarkovsky (Russian: Андрей Арсеньевич Тарковский) (4 April 1932 – 29 December 1986) was a Soviet and Russian filmmaker, writer, film editor, film theorist and opera director.
From: Wikiquote (CC BY-SA 4.0)
Birth Name:
Andrei Arsenyevich Tarkovsky
Native Name:
Андрей Арсеньевич Тарковский
Alternative Names:
Andrej Tarkovskij
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Andrei Tarkovski
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Andrej Tarkovszkij
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And. Arsenʹevich Tarkovskiĭ
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Andrey Arsenyevich Tarkovsky
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Andreĭ Arsenʹevich Tarkovskĭi
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Andrei Tarkovskij
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Andreĭ Arsenévich Tarkovskiĭ
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Andrey Tarkovsky
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Andreĭ Arsen'evich Tarkovskiĭ
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Andrej Tarkowskij
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Andreiĭ Arsen'evich Tarkovskiĭ
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Andrei Arsen'evich Tarkovskii
From Wikidata (CC0)
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Artistic creation, after all, is not subject to absolute laws, valid from age to age; since it is related to the more general aim of mastery of the world, it has an infinite number of facets, the vincula that connect man with his vital activity; and even if the path towards knowledge is unending, no step that takes man nearer to a full understanding of the meaning of his existence can be too small to count.
Clearly the hardest thing for the working artist is to create his own conception and follow it, unafraid of the strictures it imposes, however rigid these may be... I see it as the clearest evidence of genius when an artist follows his conception, his idea, his principle, so unswervingly that he has this truth of his constantly in his control, never letting go of it even for the sake of his own enjoyment of his work.
Art is by nature aristocratic, and naturally selective in its effect on the audience. For even in its 'collective' manifestations, like theatre or cinema, its effect is bound up with the intimate emotions of each person who comes into contact with a work. The more the individual is traumatised and gripped by these emotions, the more significant a place will the work have in his experience.
The aristocratic nature of art, however does not in any way absolve the artist of his responsibility to his public and even, if you like, more broadly, to people in general. On the contrary, because of his special awareness of his time and of the world in which he lives, the artist becomes the voice of those who cannot formulate or express their view of reality. In that sense the artist is indeed vox populi. That is why he is called to serve his own talent, which means serving his people.
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If you throw even a cursory glance into the past, at the life which lies behind you, not even recalling its most vivid moments, you are struck every time by the singularity of the events in which you took part, the unique individuality of the characters whom you met. This singularity is like the dominant note of every moment of existence; in each moment of life, the life principle itself is unique. The artist therefore tries to grasp that principle and make it incarnate, new each time; and each time he hopes, though in vain, to achieve an exhaustive image of the Truth of human existence. The quality of beauty is in the truth of life.