She should be assertive but not bossy, feminine but not prissy, experienced but not condescending, fashionable but not superficial, forceful but not shrill. Put simply: she should be masculine, but not too masculine; feminine, but not too feminine. She should be everything, which means she should be nothing.

The desire for the cool job that you’re passionate about is a particularly modern and bourgeois phenomenon — and, as we’ll see, a means of elevating a certain type of labor to the point of desirability that workers will tolerate all forms of exploitation for the “honor” of performing it. The rhetoric of “Do you what you love, and you’ll never work another day in your life” is a burnout trap. By cloaking the labor in the language of “passion,” we’re prevented from thinking of what we do as what it is: a job, not the entirety of our lives.

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It’s one thing to be young, cherub-faced, straight woman doing and saying things that make people uncomfortable. It’s quite another – and far riskier – to do those same things in a body that is not white, straight, not slender, not young, or not American.

[Burnout] isn’t a personal problem. It’s a societal one — and it will not be cured by productivity apps, or a bullet journal, or face mask skin treatments, or overnight fucking oats.

Millennials became the first generation to fully conceptualize themselves as walking college resumes. With assistance from our parents, society, and educators, we came to understand ourselves, consciously or not, as “human capital”: subjects to be optimized for better performance in the economy.

One common refrain I’ve heard from Gifted and Talented kids is how none of us really learned how to think,” he said. “We could just retain information so much easier, and most importantly, we had great reading comprehension, which is 90 percent of school assignments. Once I got to college, I realized how little I really know about studying and effectively learning and thinking rather than just reading and knowing.

We were raised to believe that if we worked hard enough, we could win the system - of American capitalism and meritocracy - or at least live comfortably within it. But something happened in the late 2010s. We looked up from our work and realized, there’s no winning the system when the system itself is broken.

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To be an unruly woman today is to oscillate between the postures of fearlessness and self-doubt, between listening to the voices that tell a woman she is too much and one’s own, whispering and yelling I am already enough, and always have been.

Which is precisely why I wanted to write this book: these unruly women are so magnetic, but that magnetism is countered, at every point, by ideologies that train both men and women to distance themselves from those behaviors in our own lives. Put differently, it’s one thing to admire such abrasiveness and disrespect for the status quo in someone else; it’s quite another to take that risk in one’s own life.

To turn black women into objectified others was to underline their difference; they may be beautiful, but they are of another kind, separate from the dominant understanding of attractiveness.

Through this lens, unruliness can be viewed as an amplification of anger about a climate that publicly embraces equality but does little to enact change. It’s no wonder we have such mixed feelings about these women: they’re constant reminders of the chasm between what we think we believe and how we actually behave.

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