American aviator and writer (1906–2001)
Anne Morrow Lindbergh (22 June 1906 – 7 February 2001), born Anne Spencer Morrow, was a pioneering American aviator, and the wife of Charles Lindbergh
From: Wikiquote (CC BY-SA 4.0)
Birth Name:
Anne Spencer Morrow
Alternative Names:
Anne Lindbergh
•
Anne Morrow
•
Anne Spencer Morrow Lindbergh
•
Anne Spencer Lindbergh
From Wikidata (CC0)
People are like that here. Strangers smile at you on the beach, come up and offer you a shell, for no reason, lightly, and then go by and leave you alone again. Nothing is demanded of you in payment, no social rite expected, no tie established. It was a gift, freely offered, freely taken, in mutual trust. People smile at you here, like children, sure that you will not rebuff them, that you will smile back. And you do, because you know it will involve nothing. The smile, the act, the relationship is hung in space, in the immediacy and purity of the present; suspended on the still point of here and now; balanced there, on a shaft of air, like a seagull.
The pure relationship, how beautiful it is! How easily it is damaged, or weighed down with irrelevancies - not even irrelevancies, just life itself, the accumulations of life and of time. For the first part of every relationship is pure, whether it be with friend or lover, husband or child. It is pure, simple and unencumbered.
PREMIUM FEATURE
Advanced Search Filters
Filter search results by source, date, and more with our premium search tools.
Rivers perhaps are the only physical features of the world that are at their best from the air. Mountain ranges, no longer seen in profile, dwarf to anthills; seas lose their horizons; lakes have no longer depth but look like bright pennies on the earth's surface; forests become a thin impermanent film, a moss on the top of a wet stone, easily rubbed off. But rivers, which from the ground one usually sees only in cross sections, like a small sample of ribbon — rivers stretch out serenely ahead as far as the eye can reach. Rivers are seen in their true stature.
They tumble down mountain sides; they meander through flat farm lands. Valleys trail them; cities ride them; farms cling to them; roads and railroad tracks run after them — and they remain, permanent, possessive. Next to them, man's gleaming cement roads which he has built with such care look fragile as paper streamers thrown over the hills, easily blown away. Even the railroads seem only scratched in with pen-knife. But rivers have carved their way over the earth's face for centuries and they will stay.
Growth in awareness has always been painful [...] But it does lead to greater independence and, eventually, cooperation in action. For the enormous problems that face the world today, in both the private and public sphere, cannot be solved by women - and men - alone. They can only be surmounted by men and women side by side.
A woman was bargaining with the gardener for a piece of vine, half as big as her finger, for her miniature Japanese garden. It was just what she wanted to climb up the stone in her dish. I looked with wonder on the Japanese appreciation of all small things in nature. Is it because their country, beautifully and theatrically mountainous, hardly ever allows a long vista, letting them always see things at close range? Or have her strange and lovely mists some part in teaching them to see, falling often like a backdrop behind a single pine, separating it from the rest of the world? Or have the Japanese, from generations spent in one-story paper houses, learned a language, an alphabet of beauty in nature, that we, in our houses of brick and stone, have shut out? Or is it, again, only because they are always artists and see more than we do?
If only I could stay here long enough, I would learn to see too. And after minutely watching the surface of things I would learn to see below the surface. I would see the essence of a thing.
I have been overcome by the beauty and richness of our life together, those early mornings setting out, those evenings gleaming with rivers and lakes below us, still holding the last light. … Those fields of daisies we landed on, and dusty fields and desert stretches. Memories of many skies and earths beneath us — many days, many nights of stars.